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Publications

Most recent publications:

[1]
C. Fernandez-Martín et al., "Choosing only the best voice imitators: Top-K many-to-many voice conversion with StarGAN," Speech Communication, vol. 156, 2024.
[3]
A. B. Latupeirissa, "From Motion Pictures to Robotic Features : Adopting film sound design practices to foster sonic expression in social robotics through interactive sonification," Doctoral thesis Stockholm, Sweden : KTH Royal Institute of Technology, TRITA-EECS-AVL, 2024:13, 2024.
[4]
A. Hultman, M. Goina and R. Bresin, "Interactive sonification helps make sense of the negative environmental impact of vessel traffic in the Baltic Sea," in Proceedings of the 19th international audio mostly conference : explorations in sonic cultures, 2024, pp. 209-217.
[5]
H. Lindetorp, "Interactive Sound and Music Technology for Everyone : Designing Inclusive Standards for Web Audio Applications," Doctoral thesis Stockholm : KTH Royal Institute of Technology, TRITA-EECS-AVL, 2024:52, 2024.
[6]
F. Favero et al., "Light and Motion: Effects of Light Conditions and mEDI on Activity and Motion Area under a Sky-Lighting Machine," LEUKOS The Journal of the Illuminating Engineering Society of North America, pp. 1-23, 2024.
[7]
F. Favero, "Light Rhythms : Exploring the Perceptual and Behavioural Effects of Daylight and Artificial Light Conditions in a Scandinavian Context," Doctoral thesis : KTH Royal Institute of Technology, TRITA-EECS-AVL, 2024:32, 2024.
[8]
H. Lindetorp, "Towards a Standard for Interactive Music," in Innovation in Music: Technology and Creativity, Jan-Olof Gullö, Russ Hepworth-Sawyer, Justin Paterson, Rob Toulson, Mark Marrington Ed., 1st ed. London : Taylor & Francis, 2024, pp. 1-16.
[9]
E. Frid et al., "A Dual-Task Experimental Methodology for Exploration of Saliency of Auditory Notifications in a Retail Soundscape," in Proceedings of the 28th International Conference on Auditory Display (ICAD2023): Sonification for the Masses, 2023, 2023.
[10]
O. Misgeld, H. Lindetorp and A. Holzapfel, "Accessible sonification of movement : A case in Swedish folk dance," in Proceedings of SMC 2023 - Sound and Music Computing Conference, 2023, pp. 201-208.
[13]
C. Panariello, "Converging Creativity : Intertwining Music and Code," Doctoral thesis Stockholm : KTH Royal Institute of Technology, TRITA-EECS-AVL, 2023:40, 2023.
[14]
K. Falkenberg and L. Oestreicher, "Educating for inclusion : Teaching Design for all in the wild as a motivator," in Proceedings of the Nordic Network for Disability Research, 2023.
[15]
S. Telang et al., "Emotional Feedback of Robots : Comparing the perceived emotional feedback by an audience between masculine and feminine voices in robots in popular media," in HAI 2023 - Proceedings of the 11th Conference on Human-Agent Interaction, 2023, pp. 434-436.
[16]
B. J. Zhang et al., "Hearing it Out : Guiding Robot Sound Design through Design Thinking," in 2023 32ND IEEE INTERNATIONAL CONFERENCE ON ROBOT AND HUMAN INTERACTIVE COMMUNICATION, RO-MAN, 2023, pp. 2064-2071.
[17]
T. Ziemer et al., "Introduction to the special issue on design and perception of interactive sonification," Journal on Multimodal User Interfaces, vol. 17, no. 4, pp. 213-214, 2023.
[18]
A. K. Rafi et al., "Investigating the Role of Robot Voices and Sounds in Shaping Perceived Intentions," in HAI 2023 - Proceedings of the 11th Conference on Human-Agent Interaction, 2023, pp. 425-427.
[19]
E. Frid, "Musical Robots : Overview and Methods for Evaluation," in Sound and Robotics : Speech, Non-Verbal Audio and Robotic Musicianship, Richard Savery Ed., Boca Raton, FL, USA : Informa UK Limited, 2023, pp. 1-42.
[20]
M. Goina, R. Bresin and R. Rodela, "Our Sound Space (OSS): An installation for participatory and interactive exploration of soundscapes," in SMC 2023 : Proceedings of the Sound and Music Computing Conference 2023, 2023, pp. 255-260.
[21]
A. B. Latupeirissa and R. Bresin, "PepperOSC: enabling interactive sonification of a robot's expressive movement," Journal on Multimodal User Interfaces, vol. 17, no. 4, pp. 231-239, 2023.
[23]
S. Zojaji et al., "Persuasive polite robots in free-standing conversational groups," in Proceedings IEEE/RSJ International Conference on Intelligent Robots and Systems (IROS 2023), 2023, pp. 1-8.
[24]
R. Atienza, H. Lindetorp and K. Falkenberg, "Playing the design : Creating soundscapes through playful interaction," in SMC 2023 - Proceedings of the Sound and Music Computing Conference 2023, 2023, pp. 362-369.
[25]
A. B. Latupeirissa, C. Panariello and R. Bresin, "Probing Aesthetics Strategies for Robot Sound: Complexity and Materiality in Movement Sonification," ACM Transactions on Human-Robot Interaction, 2023.
[26]
L. McHugh et al., "Salient sights and sounds: Comparing visual and auditory stimuli remembrance using Audio Set and sonic mapping," in Proceedings of the Sound and Music Computing Confererence, 2023.
[27]
L. McHugh et al., "Salient sights and sounds : comparing visual and auditory stimuli remembrance using audio set ontology and sonic mapping," in SMC 2023 : Proceedings of the Sound and Music Computing Conference 2023, 2023, pp. 426-432.
[28]
C. Núñez-Pacheco and E. Frid, "Sharing Earthquake Narratives : Making Space for Others in our Autobiographical Design Process," in CHI '23: Proceedings of the 2023 CHI Conference on Human Factors in Computing Systems, 2023.
[29]
S. Mattias, "Sound Notation : The visual representation of sound for composition and analysis," Doctoral thesis Stockholm : KTH Royal Institute of Technology, TRITA-EECS-AVL, 2023:39, 2023.
[30]
B. Orthmann et al., "Sounding Robots : Design and Evaluation of Auditory Displays for Unintentional Human-robot Interaction," ACM Transactions on Human-Robot Interaction, vol. 12, no. 4, 2023.
[32]
C. Panariello and E. Frid, "SuperOM : a SuperCollider class to generate music scores in OpenMusic," in Proceedings of the 8th International Conference on Technologies for Music Notation and Representation (TENOR), 2023, pp. 68-75.
[33]
T. Maranhao et al., "What is the color of choro? : Color preferences for an instrumental brazilian popular music genre," in SMC 2023 : Proceedings of the Sound and Music Computing Conference 2023, 2023, pp. 370-376.
[34]
C. Panariello and C. Percivati, "“WYPYM” : A Study for Feedback-Augmented Bass Clarinet," in NIME 2023 - New Interfaces for Musical Expression, 31 May — 3 June, 2023, Mexico City, Mexico, 2023.
[35]
F. Favero and U. Besenecker, "Artificial light(ing) or electric light(ing)?," in The 8th International Light Symposium: Re-thinking Lighting Design in a Sustainable Future, Copenhagen, Denmark, 2022, pp. 1-11.
[36]
G. van den Broek and R. Bresin, "Concurrent sonification of different percentage values : the case of database values about statistics of employee engagement," in Proceedings of ISon 2022, 7th Interactive Sonification Workshop, BSCC, University of Bremen, Germany, September 22–23, 2022, 2022.
[38]
H. Lindetorp and K. Falkenberg, "Evaluating Web Audio for learning, accessibility and distribution," Journal of The Audio Engineering Society, vol. 70, no. 11, pp. 962-978, 2022.
[39]
D. Larson Holmgren, A. Särnell and R. Bresin, "Facilitating reflection on climate change using interactive sonification," in Proceedings of ISon 2022, 7th Interactive Sonification Workshop, BSCC, University of Bremen, Germany, September 22–23, 2022, 2022.
[40]
E. Frid and C. Panariello, "Haptic Music Players for Children with Profound and Multiple Learning Dis-abilities (PMLD) : Exploring Different Modes of Interaction for Felt Sound," in Proceedings of the 24th International Congress on Acoustics (ICA2022) : A10 -05 Physiological Acoustics - Multi-modal solutions to enhance hearing, 2022.
[41]
S. Mattias, "Notation as visual representation of sound-based music," Journal of New Music Research, vol. 51, no. 2-3, pp. 186-202, 2022.
[42]
H. Snarberg et al., "Preparing for the future for all : The state of accessibility education at technical universities," in EDULEARN22 Proceedings, 2022, pp. 7799-7805.
[43]
T. Stojanovski et al., "Rethinking Computer-Aided Architectural Design (CAAD) - From Generative Algorithms and Architectural Intelligence to Environmental Design and Ambient Intelligence," in Computer-Aided Architectural Design : Design Imperatives: The Future Is Now, 2022, pp. 62-83.
[44]
M. Sköld and R. Bresin, "Sonification of Complex Spectral Structures," Frontiers in Neuroscience, vol. 16, 2022.
[45]
C. Panariello and R. Bresin, "Sonification of Computer Processes : The Cases of Computer Shutdown and Idle Mode," Frontiers in Neuroscience, vol. 16, 2022.
[46]
P. R. Kantan et al., "Sonifying Walking : A Perceptual Comparison of Swing Phase Mapping Schemes," in Proceedings of ISon 2022, 7th Interactive Sonification Workshop, BSCC, University of Bremen, Germany, September 22–23, 2022, 2022.
[47]
N. Misdariis et al., "Sound experts’ perspectives on astronomy sonification projects," Nature Astronomy, vol. 6, no. 11, pp. 1249-1255, 2022.
[48]
M. Ljungdahl Eriksson et al., "Sounds and Satisfaction: A Novel Conceptualization of the Soundscape in Sales and Service Settings," in Proceedings of the Nordic Retail and Wholesale Conference, 2022.
[49]
S. Mattias, "The Visual Representation of Timbre," Organised Sound, vol. 27, no. 3, pp. 387-400, 2022.
[50]
O. Misgeld et al., "A case study of deep enculturation and sensorimotor synchronization to real music," in Proceedings of the 22nd International Conference on Music Information Retrieval, ISMIR 2021, International Society for Music Information Retrieval, 2021, pp. 460-467.
Full list in the KTH publications portal