Class information for: |
Basic class information |
Class id | #P | Avg. number of references |
Database coverage of references |
---|---|---|---|
32787 | 134 | 24.2 | 11% |
Hierarchy of classes |
The table includes all classes above and classes immediately below the current class. |
Cluster id | Level | Cluster label | #P |
---|---|---|---|
1 | 4 | ECONOMICS//EDUCATION & EDUCATIONAL RESEARCH//PSYCHOL | 3876184 |
674 | 3 | ART//HISTORY OF PHOTOGRAPHY//ART HISTORY | 9443 |
4074 | 2 | BERNARD MADOFF//CEMETERY//CONFIDENCE CON GAMES | 603 |
32787 | 1 | PRODUCT DELAY ALGORITHM//STUDIES IN FRENCH CINEMA//FRANCOIS OZON | 134 |
Terms with highest relevance score |
rank | Term | termType | Chi square | Shr. of publ. in class containing term |
Class's shr. of term's tot. occurrences |
#P with term in class |
---|---|---|---|---|---|---|
1 | PRODUCT DELAY ALGORITHM | authKW | 683632 | 2% | 100% | 3 |
2 | STUDIES IN FRENCH CINEMA | journal | 527530 | 10% | 18% | 13 |
3 | FRANCOIS OZON | authKW | 455755 | 1% | 100% | 2 |
4 | 5X2 | authKW | 227877 | 1% | 100% | 1 |
5 | AESTHETIC OF RESTRAINT | authKW | 227877 | 1% | 100% | 1 |
6 | ANDRE TECHINE | authKW | 227877 | 1% | 100% | 1 |
7 | ANTON NIMBLETT | authKW | 227877 | 1% | 100% | 1 |
8 | BE COMING | authKW | 227877 | 1% | 100% | 1 |
9 | BRUNO DUMONT | authKW | 227877 | 1% | 100% | 1 |
10 | CELINE SCIAMMA | authKW | 227877 | 1% | 100% | 1 |
Web of Science journal categories |
Rank | Term | Chi square | Shr. of publ. in class containing term |
Class's shr. of term's tot. occurrences |
#P with term in class |
---|---|---|---|---|---|
1 | Film, Radio, Television | 42175 | 28% | 1% | 37 |
2 | Literature, Romance | 5000 | 14% | 0% | 19 |
3 | Cultural Studies | 777 | 5% | 0% | 7 |
4 | Literature | 766 | 10% | 0% | 14 |
5 | Art | 340 | 4% | 0% | 6 |
6 | Theater | 255 | 2% | 0% | 3 |
7 | Philosophy | 180 | 6% | 0% | 8 |
8 | Humanities, Multidisciplinary | 130 | 4% | 0% | 5 |
9 | Women’s Studies | 125 | 3% | 0% | 4 |
10 | Literary Theory & Criticism | 107 | 1% | 0% | 2 |
Address terms |
Rank | Term | Chi square | Shr. of publ. in class containing term |
Class's shr. of term's tot. occurrences |
#P with term in class |
---|---|---|---|---|---|
1 | CINEMA STUDIES PROGRAMME | 227877 | 1% | 100% | 1 |
2 | ENGN P ENTAT EGE | 227877 | 1% | 100% | 1 |
3 | FILM TELEVIS SCREEN ARTS | 227877 | 1% | 100% | 1 |
4 | PSYCHOSOCIAL STUDIES VISUAL CULTURE | 227877 | 1% | 100% | 1 |
5 | SUPER IND AERONAUT ENGN | 227877 | 1% | 100% | 1 |
6 | TECH MAN A | 227877 | 1% | 100% | 1 |
7 | ART HIST FILM VISUAL STUDIES | 113938 | 1% | 50% | 1 |
8 | ARTS LANGUAGES LITERATU | 113938 | 1% | 50% | 1 |
9 | LANGUAGES CULTU ART HIST MUS | 113938 | 1% | 50% | 1 |
10 | LANGUAGES CULTU RELIG | 75956 | 1% | 17% | 2 |
Journals |
Rank | Term | Chi square | Shr. of publ. in class containing term |
Class's shr. of term's tot. occurrences |
#P with term in class |
---|---|---|---|---|---|
1 | STUDIES IN FRENCH CINEMA | 527530 | 10% | 18% | 13 |
2 | POSITIF | 45570 | 2% | 7% | 3 |
3 | PARAGRAPH | 36596 | 5% | 2% | 7 |
4 | NOTTINGHAM FRENCH STUDIES | 23338 | 4% | 2% | 5 |
5 | AUSTRALIAN JOURNAL OF FRENCH STUDIES | 13648 | 3% | 1% | 4 |
6 | CONVIVIUM | 13403 | 1% | 6% | 1 |
7 | KOSMORAMA | 11992 | 1% | 5% | 1 |
8 | COMPUTERS & MATHEMATICS WITH APPLICATIONS-PART B | 11682 | 1% | 3% | 2 |
9 | SCREEN | 10868 | 4% | 1% | 6 |
10 | NEW YORK LITERARY FORUM | 10849 | 1% | 5% | 1 |
Author Key Words |
Rank | Term | Chi square | Shr. of publ. in class containing term |
Class's shr. of term's tot. occurrences |
#P with term in class |
LCSH search | Wikipedia search |
---|---|---|---|---|---|---|---|
1 | PRODUCT DELAY ALGORITHM | 683632 | 2% | 100% | 3 | Search PRODUCT+DELAY+ALGORITHM | Search PRODUCT+DELAY+ALGORITHM |
2 | FRANCOIS OZON | 455755 | 1% | 100% | 2 | Search FRANCOIS+OZON | Search FRANCOIS+OZON |
3 | 5X2 | 227877 | 1% | 100% | 1 | Search 5X2 | Search 5X2 |
4 | AESTHETIC OF RESTRAINT | 227877 | 1% | 100% | 1 | Search AESTHETIC+OF+RESTRAINT | Search AESTHETIC+OF+RESTRAINT |
5 | ANDRE TECHINE | 227877 | 1% | 100% | 1 | Search ANDRE+TECHINE | Search ANDRE+TECHINE |
6 | ANTON NIMBLETT | 227877 | 1% | 100% | 1 | Search ANTON+NIMBLETT | Search ANTON+NIMBLETT |
7 | BE COMING | 227877 | 1% | 100% | 1 | Search BE+COMING | Search BE+COMING |
8 | BRUNO DUMONT | 227877 | 1% | 100% | 1 | Search BRUNO+DUMONT | Search BRUNO+DUMONT |
9 | CELINE SCIAMMA | 227877 | 1% | 100% | 1 | Search CELINE+SCIAMMA | Search CELINE+SCIAMMA |
10 | CINEMA AND THE SENSES THEORY AND PRACTICE | 227877 | 1% | 100% | 1 | Search CINEMA+AND+THE+SENSES+THEORY+AND+PRACTICE | Search CINEMA+AND+THE+SENSES+THEORY+AND+PRACTICE |
Core articles |
The table includes core articles in the class. The following variables is taken into account for the relevance score of an article in a cluster c: (1) Number of references referring to publications in the class. (2) Share of total number of active references referring to publications in the class. (3) Age of the article. New articles get higher score than old articles. (4) Citation rate, normalized to year. |
Rank | Reference | # ref. in cl. |
Shr. of ref. in cl. |
Citations |
---|---|---|---|---|
1 | VANDERSCHELDEN, I , (2012) REALISA(C)TRICES SCREENING THE SELF: VALERIA BRUNI TEDESCHI AND MAIWENN.STUDIES IN FRENCH CINEMA. VOL. 12. ISSUE 3. P. 241-255 | 5 | 100% | 0 |
2 | BELOT, S , (2012) CELINE SCIAMMA'S LA NAISSANCE DES PIEUVRES (2007): SEDUCTION AND BE-COMING.STUDIES IN FRENCH CINEMA. VOL. 12. ISSUE 2. P. 169 -184 | 5 | 100% | 0 |
3 | WILSON, E , (2012) PRECARIOUS LIVES: ON GIRLS IN MIA HANSEN-LOVE AND OTHERS.STUDIES IN FRENCH CINEMA. VOL. 12. ISSUE 3. P. 273-284 | 4 | 100% | 0 |
4 | HAWKINS, H , (2015) "ALL IT IS IS LIGHT": PROJECTIONS AND VOLUMES, ARTISTIC LIGHT, AND PIPILOTTI RIST'S FEMINIST LANGUAGES AND LOGICS OF LIGHT.SENSES & SOCIETY. VOL. 10. ISSUE 2. P. 158 -178 | 6 | 60% | 0 |
5 | PALMER, T , (2009) CONTEMPORARY FEMININE FRENCH CINEMA AND LUCILE HADZIHALILOVIC'S INNOCENCE.FRENCH REVIEW. VOL. 83. ISSUE 2. P. 316-+ | 4 | 100% | 0 |
6 | BEUGNET, M , EZRA, E , (2010) TRACES OF THE MODERN: AN ALTERNATIVE HISTORY OF FRENCH CINEMA.STUDIES IN FRENCH CINEMA. VOL. 10. ISSUE 1. P. 11 -38 | 5 | 71% | 3 |
7 | HARTFORD, J , (2016) ANGEL WINGS, CHICKEN WINGS, AND THE BOUNDARIES OF HORROR: A COGNITIVE ANALYTICAL READING OF RICKY (FRANCOIS OZON, 2009).STUDIES IN FRENCH CINEMA. VOL. 16. ISSUE 1. P. 32 -47 | 3 | 100% | 0 |
8 | WALTON, S , (2015) FILM AND/AS DEVOTION: BRUNO DUMONT'S ENWORLDED CINEMA.AUSTRALIAN JOURNAL OF FRENCH STUDIES. VOL. 52. ISSUE 2. P. 188 -203 | 3 | 100% | 0 |
9 | SEN, AK , (2003) A THREE-DIMENSIONAL APPROACH TO GRAPHIC DESIGN.COMPUTERS & GRAPHICS-UK. VOL. 27. ISSUE 2. P. 303 -310 | 4 | 100% | 0 |
10 | DOOLEY, K , (2014) 'WHEN YOU HAVE YOUR BACK TO THE WALL, EVERYTHING BECOMES EASY': PERFORMANCE AND DIRECTION IN THE FILMS OF CATHERINE BREILLAT.STUDIES IN FRENCH CINEMA. VOL. 14. ISSUE 2. P. 108 -118 | 3 | 100% | 0 |
Classes with closest relation at Level 1 |