Class information for: |
Basic class information |
Class id | #P | Avg. number of references |
Database coverage of references |
---|---|---|---|
27768 | 221 | 31.7 | 9% |
Hierarchy of classes |
The table includes all classes above and classes immediately below the current class. |
Cluster id | Level | Cluster label | #P |
---|---|---|---|
1 | 4 | ECONOMICS//EDUCATION & EDUCATIONAL RESEARCH//PSYCHOL | 3876184 |
248 | 3 | LITERATURE//LITERATURE, AMERICAN//LITERATURE, AFRICAN, AUSTRALIAN, CANADIAN | 46730 |
2662 | 2 | FILM, RADIO, TELEVISION//CINEMA JOURNAL//SCREEN | 3441 |
27768 | 1 | FILM, RADIO, TELEVISION//AMERICAN INTERNATIONAL PICTURES//ANTHONY HAUGHEY | 221 |
Terms with highest relevance score |
rank | Term | termType | Chi square | Shr. of publ. in class containing term |
Class's shr. of term's tot. occurrences |
#P with term in class |
---|---|---|---|---|---|---|
1 | FILM, RADIO, TELEVISION | WoSSC | 161656 | 42% | 1% | 93 |
2 | AMERICAN INTERNATIONAL PICTURES | authKW | 138169 | 0% | 100% | 1 |
3 | ANTHONY HAUGHEY | authKW | 138169 | 0% | 100% | 1 |
4 | ANTIGANGS | address | 138169 | 0% | 100% | 1 |
5 | ARTISTIC AUTONOMY | authKW | 138169 | 0% | 100% | 1 |
6 | BEL GEDDES | authKW | 138169 | 0% | 100% | 1 |
7 | CINEMA OF THE SENSES | authKW | 138169 | 0% | 100% | 1 |
8 | CINEMA STUDIES ENGLISH HIST ART | address | 138169 | 0% | 100% | 1 |
9 | CINEMATIC REFLEXIVITY | authKW | 138169 | 0% | 100% | 1 |
10 | CLICK CULTURE | authKW | 138169 | 0% | 100% | 1 |
Web of Science journal categories |
Rank | Term | Chi square | Shr. of publ. in class containing term |
Class's shr. of term's tot. occurrences |
#P with term in class |
---|---|---|---|---|---|
1 | Film, Radio, Television | 161656 | 42% | 1% | 93 |
2 | Cultural Studies | 8744 | 14% | 0% | 30 |
3 | Communication | 1774 | 11% | 0% | 25 |
4 | Humanities, Multidisciplinary | 1190 | 9% | 0% | 19 |
5 | Literature | 943 | 9% | 0% | 20 |
6 | Literature, Romance | 526 | 4% | 0% | 8 |
7 | Art | 463 | 4% | 0% | 9 |
8 | Literary Theory & Criticism | 260 | 2% | 0% | 4 |
9 | Literary Reviews | 249 | 2% | 0% | 4 |
10 | Theater | 153 | 1% | 0% | 3 |
Address terms |
Rank | Term | Chi square | Shr. of publ. in class containing term |
Class's shr. of term's tot. occurrences |
#P with term in class |
---|---|---|---|---|---|
1 | ANTIGANGS | 138169 | 0% | 100% | 1 |
2 | CINEMA STUDIES ENGLISH HIST ART | 138169 | 0% | 100% | 1 |
3 | DISCIPLINE SPANISH PORTUGUESE LATIN AMER STUDIE | 138169 | 0% | 100% | 1 |
4 | FILM AMER STUDIES | 138169 | 0% | 100% | 1 |
5 | FILM DRAMA | 138169 | 0% | 100% | 1 |
6 | GAY LESBIAN BISEXUAL STUDIES | 138169 | 0% | 100% | 1 |
7 | MA FILM TELEVIS | 138169 | 0% | 100% | 1 |
8 | MAISON SUDS | 138169 | 0% | 100% | 1 |
9 | MANIPAL COMMUN | 138169 | 0% | 100% | 1 |
10 | MOD LANGUAGES | 138169 | 0% | 100% | 1 |
Journals |
Rank | Term | Chi square | Shr. of publ. in class containing term |
Class's shr. of term's tot. occurrences |
#P with term in class |
---|---|---|---|---|---|
1 | JOURNAL OF FILM AND VIDEO | 73405 | 6% | 4% | 13 |
2 | SCREEN | 46880 | 7% | 2% | 16 |
3 | CRITICAL STUDIES IN MEDIA COMMUNICATION | 39975 | 5% | 3% | 11 |
4 | JOURNAL OF POPULAR FILM AND TELEVISION | 39409 | 5% | 3% | 11 |
5 | HRVATSKI FILMSKI LJETOPIS | 36842 | 1% | 13% | 2 |
6 | CINEMA JOURNAL | 27567 | 5% | 2% | 11 |
7 | FILM COMMENT | 12206 | 2% | 2% | 4 |
8 | JOURNAL OF POPULAR CULTURE | 11007 | 5% | 1% | 10 |
9 | JOURNAL OF VISUAL CULTURE | 10882 | 2% | 2% | 4 |
10 | FILM QUARTERLY | 10275 | 2% | 2% | 4 |
Author Key Words |
Rank | Term | Chi square | Shr. of publ. in class containing term |
Class's shr. of term's tot. occurrences |
#P with term in class |
LCSH search | Wikipedia search |
---|---|---|---|---|---|---|---|
1 | AMERICAN INTERNATIONAL PICTURES | 138169 | 0% | 100% | 1 | Search AMERICAN+INTERNATIONAL+PICTURES | Search AMERICAN+INTERNATIONAL+PICTURES |
2 | ANTHONY HAUGHEY | 138169 | 0% | 100% | 1 | Search ANTHONY+HAUGHEY | Search ANTHONY+HAUGHEY |
3 | ARTISTIC AUTONOMY | 138169 | 0% | 100% | 1 | Search ARTISTIC+AUTONOMY | Search ARTISTIC+AUTONOMY |
4 | BEL GEDDES | 138169 | 0% | 100% | 1 | Search BEL+GEDDES | Search BEL+GEDDES |
5 | CINEMA OF THE SENSES | 138169 | 0% | 100% | 1 | Search CINEMA+OF+THE+SENSES | Search CINEMA+OF+THE+SENSES |
6 | CINEMATIC REFLEXIVITY | 138169 | 0% | 100% | 1 | Search CINEMATIC+REFLEXIVITY | Search CINEMATIC+REFLEXIVITY |
7 | CLICK CULTURE | 138169 | 0% | 100% | 1 | Search CLICK+CULTURE | Search CLICK+CULTURE |
8 | COMIC CORRECTIVE | 138169 | 0% | 100% | 1 | Search COMIC+CORRECTIVE | Search COMIC+CORRECTIVE |
9 | CONCEPTUAL MUSIC | 138169 | 0% | 100% | 1 | Search CONCEPTUAL+MUSIC | Search CONCEPTUAL+MUSIC |
10 | CONVERGENCE ERA TELEVISION | 138169 | 0% | 100% | 1 | Search CONVERGENCE+ERA+TELEVISION | Search CONVERGENCE+ERA+TELEVISION |
Core articles |
The table includes core articles in the class. The following variables is taken into account for the relevance score of an article in a cluster c: (1) Number of references referring to publications in the class. (2) Share of total number of active references referring to publications in the class. (3) Age of the article. New articles get higher score than old articles. (4) Citation rate, normalized to year. |
Rank | Reference | # ref. in cl. |
Shr. of ref. in cl. |
Citations |
---|---|---|---|---|
1 | BANAJI, S , (2014) BOLLYWOOD HORROR AS AN UNCANNY PUBLIC SPHERE: GENRE THEORIES, POSTCOLONIAL CONCEPTS, AND THE INSIGHTFUL AUDIENCE.COMMUNICATION CULTURE & CRITIQUE. VOL. 7. ISSUE 4. P. 453 -471 | 5 | 83% | 0 |
2 | NEUHAUS, J , (2010) MARGE SIMPSON, BLUE-HAIRED HOUSEWIFE: DEFINING DOMESTICITY ON THE SIMPSONS.JOURNAL OF POPULAR CULTURE. VOL. 43. ISSUE 4. P. 761 -781 | 6 | 67% | 2 |
3 | OLIETE-ALDEA, E , (2016) THE GREAT RECESSION AND TRANSNATIONAL HORROR: SAJIT WARRIER'S CROSSOVER FILM FIRED (2010).JOURNAL OF POPULAR CULTURE. VOL. 49. ISSUE 5. P. 1163 -1183 | 4 | 80% | 0 |
4 | BHRUGUBANDA, UM , (2016) EMBODIED ENGAGEMENTS: FILMMAKING AND VIEWING PRACTICES AND THE HABITUS OF TELUGU CINEMA.BIOSCOPE-SOUTH ASIAN SCREEN STUDIES. VOL. 7. ISSUE 1. P. 80 -95 | 3 | 100% | 0 |
5 | HILDERBRAND, L , (2013) SEX OUT OF SYNC: CHRISTMAS ON EARTH'S AND COUCH'S QUEER SOUND TRACKS.CAMERA OBSCURA. VOL. . ISSUE 83. P. 45-76 | 3 | 100% | 0 |
6 | SCHAFFNER, AK , (2009) FANTASMATIC SPLITTINGS AND DESTRUCTIVE DESIRES: LYNCH'S LOST HIGHWAY, MULHOLLAND DRIVE AND INLAND EMPIRE.FORUM FOR MODERN LANGUAGE STUDIES. VOL. 45. ISSUE 3. P. 270 -291 | 3 | 100% | 1 |
7 | RAYMOND, M , (2009) TOO SMART, TOO SOON: THE KING OF COMEDY AND AMERICAN INDEPENDENT CINEMA.FILM CRITICISM. VOL. 34. ISSUE 1. P. 17-35 | 3 | 100% | 0 |
8 | DOBSON, H , (2006) MISTER SPARKLE MEETS THE 'YAKUZA': DEPICTIONS OF JAPAN IN THE 'SIMPSONS'.JOURNAL OF POPULAR CULTURE. VOL. 39. ISSUE 1. P. 44-68 | 4 | 80% | 6 |
9 | CHIDESTER, P , (2012) "RESPECT MY AUTHORI-TAH": SOUTH PARK AND THE FRAGMENTATION/REIFICATION OF WHITENESS.CRITICAL STUDIES IN MEDIA COMMUNICATION. VOL. 29. ISSUE 5. P. 403-420 | 6 | 46% | 0 |
10 | KNOX, S , (2006) READING THE UNGRASPABLE DOUBLE-CODEDNESS OF THE 'SIMPSONS'.JOURNAL OF POPULAR FILM AND TELEVISION. VOL. 34. ISSUE 2. P. 72-81 | 3 | 100% | 3 |
Classes with closest relation at Level 1 |