Class information for: |
Basic class information |
| Class id | #P | Avg. number of references |
Database coverage of references |
|---|---|---|---|
| 29703 | 181 | 41.4 | 6% |
Hierarchy of classes |
The table includes all classes above and classes immediately below the current class. |
| Cluster id | Level | Cluster label | #P |
|---|---|---|---|
| 1 | 4 | ECONOMICS//EDUCATION & EDUCATIONAL RESEARCH//PSYCHOL | 3876184 |
| 424 | 3 | MUSIC//MUS//JOURNAL OF RESEARCH IN MUSIC EDUCATION | 28183 |
| 1902 | 2 | MUSIC//MUSIC THEORY SPECTRUM//NINETEENTH CENTURY MUSIC | 5915 |
| 29703 | 1 | ARCHIV FUR MUSIKWISSENSCHAFT//ARENDT HANNAH//MUSIKTHEORIE | 181 |
Terms with highest relevance score |
| rank | Term | termType | Chi square | Shr. of publ. in class containing term |
Class's shr. of term's tot. occurrences |
#P with term in class |
|---|---|---|---|---|---|---|
| 1 | ARCHIV FUR MUSIKWISSENSCHAFT | journal | 450720 | 14% | 10% | 26 |
| 2 | ARENDT HANNAH | authKW | 337408 | 1% | 100% | 2 |
| 3 | MUSIKTHEORIE | journal | 274641 | 10% | 9% | 18 |
| 4 | JEAN PHILIPPE RAMEAU | authKW | 224938 | 1% | 67% | 2 |
| 5 | MUSIC | WoSSC | 186529 | 83% | 1% | 151 |
| 6 | ACADEMIE ROYALE DEMUSIQUE OPERA | authKW | 168704 | 1% | 100% | 1 |
| 7 | BAROQUE OPERA PERFORMANCE | authKW | 168704 | 1% | 100% | 1 |
| 8 | CARDIFF MUS | address | 168704 | 1% | 100% | 1 |
| 9 | CYCLIC FORM | authKW | 168704 | 1% | 100% | 1 |
| 10 | FRENCH MELODIE | authKW | 168704 | 1% | 100% | 1 |
Web of Science journal categories |
| Rank | Term | Chi square | Shr. of publ. in class containing term |
Class's shr. of term's tot. occurrences |
#P with term in class |
|---|---|---|---|---|---|
| 1 | Music | 186529 | 83% | 1% | 151 |
| 2 | Literature, Slavic | 311 | 1% | 0% | 2 |
| 3 | Humanities, Multidisciplinary | 190 | 4% | 0% | 7 |
| 4 | Literary Theory & Criticism | 178 | 2% | 0% | 3 |
| 5 | Literary Reviews | 74 | 1% | 0% | 2 |
| 6 | Cultural Studies | 44 | 1% | 0% | 2 |
| 7 | Literature, German, German, Scandinavian | 23 | 1% | 0% | 1 |
| 8 | History | 21 | 2% | 0% | 4 |
| 9 | Area Studies | 14 | 1% | 0% | 2 |
| 10 | Communication | 11 | 1% | 0% | 2 |
Address terms |
| Rank | Term | Chi square | Shr. of publ. in class containing term |
Class's shr. of term's tot. occurrences |
#P with term in class |
|---|---|---|---|---|---|
| 1 | CARDIFF MUS | 168704 | 1% | 100% | 1 |
| 2 | NEUERE MUS GE ICHTE | 168704 | 1% | 100% | 1 |
| 3 | PROGRAM INDO EUROPEAN STUDIES | 84351 | 1% | 50% | 1 |
| 4 | HIST ART MUSEOL | 42175 | 1% | 25% | 1 |
| 5 | LEHRSTUHL PADAG | 42175 | 1% | 25% | 1 |
| 6 | FAK EVANGEL THEOL | 14057 | 1% | 8% | 1 |
| 7 | KOMMUNIKAT WISSEN MEDIENFOR | 8877 | 1% | 5% | 1 |
| 8 | SLAV LANGUAGES LITERATU | 1668 | 1% | 1% | 1 |
| 9 | MUS EDUC | 1337 | 1% | 1% | 1 |
| 10 | MUS | 1295 | 2% | 0% | 4 |
Journals |
| Rank | Term | Chi square | Shr. of publ. in class containing term |
Class's shr. of term's tot. occurrences |
#P with term in class |
|---|---|---|---|---|---|
| 1 | ARCHIV FUR MUSIKWISSENSCHAFT | 450720 | 14% | 10% | 26 |
| 2 | MUSIKTHEORIE | 274641 | 10% | 9% | 18 |
| 3 | MUSIKFORSCHUNG | 71528 | 5% | 5% | 9 |
| 4 | MUSICA | 40280 | 2% | 6% | 4 |
| 5 | JOURNAL OF MUSICOLOGICAL RESEARCH | 36243 | 4% | 3% | 7 |
| 6 | MUSICAL QUARTERLY | 34981 | 6% | 2% | 10 |
| 7 | JOURNAL OF MUSICOLOGY | 21665 | 4% | 2% | 8 |
| 8 | NINETEENTH CENTURY MUSIC | 16403 | 3% | 2% | 6 |
| 9 | ACTA MUSICOLOGICA | 16274 | 3% | 2% | 5 |
| 10 | COLLEGE MUSIC SYMPOSIUM | 13556 | 2% | 2% | 4 |
Author Key Words |
| Rank | Term | Chi square | Shr. of publ. in class containing term |
Class's shr. of term's tot. occurrences |
#P with term in class |
LCSH search | Wikipedia search |
|---|---|---|---|---|---|---|---|
| 1 | ARENDT HANNAH | 337408 | 1% | 100% | 2 | Search ARENDT+HANNAH | Search ARENDT+HANNAH |
| 2 | JEAN PHILIPPE RAMEAU | 224938 | 1% | 67% | 2 | Search JEAN+PHILIPPE+RAMEAU | Search JEAN+PHILIPPE+RAMEAU |
| 3 | ACADEMIE ROYALE DEMUSIQUE OPERA | 168704 | 1% | 100% | 1 | Search ACADEMIE+ROYALE+DEMUSIQUE+OPERA | Search ACADEMIE+ROYALE+DEMUSIQUE+OPERA |
| 4 | BAROQUE OPERA PERFORMANCE | 168704 | 1% | 100% | 1 | Search BAROQUE+OPERA+PERFORMANCE | Search BAROQUE+OPERA+PERFORMANCE |
| 5 | CYCLIC FORM | 168704 | 1% | 100% | 1 | Search CYCLIC+FORM | Search CYCLIC+FORM |
| 6 | FRENCH MELODIE | 168704 | 1% | 100% | 1 | Search FRENCH+MELODIE | Search FRENCH+MELODIE |
| 7 | FRIEDRICH GRIMM | 168704 | 1% | 100% | 1 | Search FRIEDRICH+GRIMM | Search FRIEDRICH+GRIMM |
| 8 | GERMAN MUSIC | 168704 | 1% | 100% | 1 | Search GERMAN+MUSIC | Search GERMAN+MUSIC |
| 9 | JEAN BAPTISTE JOSEPH LALLEMANT | 168704 | 1% | 100% | 1 | Search JEAN+BAPTISTE+JOSEPH+LALLEMANT | Search JEAN+BAPTISTE+JOSEPH+LALLEMANT |
| 10 | KLEINMEISTER TERM AND CHARACTERISTICS | 168704 | 1% | 100% | 1 | Search KLEINMEISTER+TERM+AND+CHARACTERISTICS | Search KLEINMEISTER+TERM+AND+CHARACTERISTICS |
Core articles |
The table includes core articles in the class. The following variables is taken into account for the relevance score of an article in a cluster c: (1) Number of references referring to publications in the class. (2) Share of total number of active references referring to publications in the class. (3) Age of the article. New articles get higher score than old articles. (4) Citation rate, normalized to year. |
| Rank | Reference | # ref. in cl. |
Shr. of ref. in cl. |
Citations |
|---|---|---|---|---|
| 1 | KEYM, S , (2016) "SICK WITH EVERY TACT MORE TO WONDER, AND DOCK MORE TO FEEL AT HOME" ON THE RE-INTERNATIONALIZATION OF THE SYMPHONICS IN THE LEIPZIG CONCERT REPERTOIRE OF THE LONG 19TH CENTURY.MUSIKFORSCHUNG. VOL. 69. ISSUE 4. P. 318 -344 | 4 | 100% | 0 |
| 2 | SCHICK, H , (1998) FINALITY AS FORMAL PRINCIPAL. BEETHOVEN'S MIDDLE PIANO SONATAS AND THE ART OF STARTING WRONG.MUSIKTHEORIE. VOL. 13. ISSUE 3. P. 207-222 | 6 | 100% | 0 |
| 3 | COOPER, JM , (2004) KNOWING MENDELSSOHN: A CHALLENGE FROM THE PRIMARY SOURCES (WITH BIBLIOGRAPHY).NOTES. VOL. 61. ISSUE 1. P. 35-95 | 5 | 83% | 0 |
| 4 | KEYM, S , (2013) NEW MUSIC AS "RETOUR AU GOTHIQUE"? CLAUDE DEBUSSY AND VINCENT D'INDY: FROM THE PREMIERE OF PELLEAS TO THE SINKING OF THE "CATHEDRALE SONORE".MUSIKTHEORIE. VOL. 28. ISSUE 1. P. 3-20 | 3 | 100% | 0 |
| 5 | BALDASSARRE, A , (2013) TEXT, SOUND AND THE FREEDOM OF INTERPRETATION OBSERVATIONS ON BEETHOVEN'S MUSIC.MUSIKTHEORIE. VOL. 28. ISSUE 4. P. 325 -350 | 3 | 100% | 0 |
| 6 | DANUSER, H , (1986) THE IMPREVU IN SYMPHONIC MUSIC, ASPECTS OF A MUSICAL FORMAL CATEGORY FROM BACH,CARL,PHILIPP,EMANUEL TO BERLIOZ,HECTOR + UNEXPECTED HARMONIC AND TEXTURAL SHIFTS.MUSIKTHEORIE. VOL. 1. ISSUE 1. P. 61-81 | 8 | 100% | 2 |
| 7 | KEYM, S , (1998) "L'UNITE-DANS-LA-VARIETE". VINCENT D' INDY AND THE CYCLICAL PRINCIPLE.MUSIKTHEORIE. VOL. 13. ISSUE 3. P. 223-241 | 4 | 100% | 1 |
| 8 | WESSEL, M , (1996) THE CYCLE STRUCTURE IN SCHUBERT,FRANZ INSTRUMENTAL WORKS - FORM AND AESTHETICS OF FINAL MOVEMENTS.MUSIKFORSCHUNG. VOL. 49. ISSUE 1. P. 19-35 | 4 | 100% | 0 |
| 9 | RENIHAN, C , (2013) THE SEARCH FOR THE PAST: POSTMODERN HISTORICAL CONSCIOUSNESS IN THE OPERAS OF ISTVAN ANHALT.JOURNAL OF THE SOCIETY FOR AMERICAN MUSIC. VOL. 7. ISSUE 4. P. 421 -444 | 3 | 75% | 0 |
| 10 | GRANT, RM , (2017) PECULIAR ATTUNEMENTS: COMIC OPERA AND ENLIGHTENMENT MIMESIS.CRITICAL INQUIRY. VOL. 43. ISSUE 2. P. 550 -569 | 2 | 100% | 0 |
Classes with closest relation at Level 1 |