Class information for: |
Basic class information |
Class id | #P | Avg. number of references |
Database coverage of references |
---|---|---|---|
26872 | 243 | 36.0 | 5% |
Hierarchy of classes |
The table includes all classes above and classes immediately below the current class. |
Cluster id | Level | Cluster label | #P |
---|---|---|---|
1 | 4 | ECONOMICS//EDUCATION & EDUCATIONAL RESEARCH//PSYCHOL | 3876184 |
191 | 3 | MEDIEVAL & RENAISSANCE STUDIES//ART//LITERATURE, BRITISH ISLES | 54246 |
2624 | 2 | EARLY MUSIC//MUSIC//MUSIC & LETTERS | 3544 |
26872 | 1 | REVUE DE MUSICOLOGIE//FRANCOIS COUPERIN//FRENCH CANTATA | 243 |
Terms with highest relevance score |
rank | Term | termType | Chi square | Shr. of publ. in class containing term |
Class's shr. of term's tot. occurrences |
#P with term in class |
---|---|---|---|---|---|---|
1 | REVUE DE MUSICOLOGIE | journal | 621960 | 14% | 15% | 33 |
2 | FRANCOIS COUPERIN | authKW | 251320 | 1% | 100% | 2 |
3 | FRENCH CANTATA | authKW | 251320 | 1% | 100% | 2 |
4 | EARLY MUSIC | journal | 220137 | 16% | 5% | 38 |
5 | MUSIC | WoSSC | 146323 | 64% | 1% | 155 |
6 | 1760 REFURBISHMENT | authKW | 125660 | 0% | 100% | 1 |
7 | ACADEMIE ROYALE DE MUSIQUE OPERA | authKW | 125660 | 0% | 100% | 1 |
8 | ANTOINE FORQUERAY | authKW | 125660 | 0% | 100% | 1 |
9 | ARCHITECTURAL PLANS | authKW | 125660 | 0% | 100% | 1 |
10 | ATELIER ETUDES | address | 125660 | 0% | 100% | 1 |
Web of Science journal categories |
Rank | Term | Chi square | Shr. of publ. in class containing term |
Class's shr. of term's tot. occurrences |
#P with term in class |
---|---|---|---|---|---|
1 | Music | 146323 | 64% | 1% | 155 |
2 | Dance | 15907 | 4% | 1% | 10 |
3 | Literature, Romance | 1480 | 6% | 0% | 14 |
4 | Art | 1185 | 6% | 0% | 15 |
5 | Humanities, Multidisciplinary | 578 | 6% | 0% | 14 |
6 | Literature, African, Australian, Canadian | 297 | 1% | 0% | 3 |
7 | History | 165 | 5% | 0% | 12 |
8 | Literature | 163 | 4% | 0% | 9 |
9 | Poetry | 143 | 1% | 0% | 2 |
10 | Theater | 138 | 1% | 0% | 3 |
Address terms |
Rank | Term | Chi square | Shr. of publ. in class containing term |
Class's shr. of term's tot. occurrences |
#P with term in class |
---|---|---|---|---|---|
1 | ATELIER ETUDES | 125660 | 0% | 100% | 1 |
2 | DIRECT MARIE CLAIRE MUSSAT | 125660 | 0% | 100% | 1 |
3 | MUSICOLOGIE | 125660 | 0% | 100% | 1 |
4 | MUSIQUE BAROQUE | 125660 | 0% | 100% | 1 |
5 | URA 1516 | 62829 | 0% | 50% | 1 |
6 | DIBUJO | 41885 | 0% | 33% | 1 |
7 | JEWISH MUS | 41885 | 0% | 33% | 1 |
8 | MARTIN HARRIS MUS DRAMA | 41885 | 0% | 33% | 1 |
9 | BNF | 31413 | 0% | 25% | 1 |
10 | THEATRE PROGRAMME | 31413 | 0% | 25% | 1 |
Journals |
Rank | Term | Chi square | Shr. of publ. in class containing term |
Class's shr. of term's tot. occurrences |
#P with term in class |
---|---|---|---|---|---|
1 | REVUE DE MUSICOLOGIE | 621960 | 14% | 15% | 33 |
2 | EARLY MUSIC | 220137 | 16% | 5% | 38 |
3 | PROCEEDINGS OF THE ROYAL MUSICAL ASSOCIATION | 66521 | 1% | 18% | 3 |
4 | DANCE CHRONICLE | 43656 | 3% | 5% | 7 |
5 | MUSIC & LETTERS | 39834 | 5% | 3% | 12 |
6 | DANZA ITALIANA | 31413 | 0% | 25% | 1 |
7 | JOURNAL OF THE AMERICAN MUSICOLOGICAL SOCIETY | 24930 | 4% | 2% | 9 |
8 | FONTES ARTIS MUSICAE | 20458 | 2% | 3% | 6 |
9 | REVUE D ESTHETIQUE | 17948 | 1% | 7% | 2 |
10 | JOURNAL OF THE ROYAL MUSICAL ASSOCIATION | 16868 | 2% | 2% | 6 |
Author Key Words |
Rank | Term | Chi square | Shr. of publ. in class containing term |
Class's shr. of term's tot. occurrences |
#P with term in class |
LCSH search | Wikipedia search |
---|---|---|---|---|---|---|---|
1 | FRANCOIS COUPERIN | 251320 | 1% | 100% | 2 | Search FRANCOIS+COUPERIN | Search FRANCOIS+COUPERIN |
2 | FRENCH CANTATA | 251320 | 1% | 100% | 2 | Search FRENCH+CANTATA | Search FRENCH+CANTATA |
3 | 1760 REFURBISHMENT | 125660 | 0% | 100% | 1 | Search 1760+REFURBISHMENT | Search 1760+REFURBISHMENT |
4 | ACADEMIE ROYALE DE MUSIQUE OPERA | 125660 | 0% | 100% | 1 | Search ACADEMIE+ROYALE+DE+MUSIQUE+OPERA | Search ACADEMIE+ROYALE+DE+MUSIQUE+OPERA |
5 | ANTOINE FORQUERAY | 125660 | 0% | 100% | 1 | Search ANTOINE+FORQUERAY | Search ANTOINE+FORQUERAY |
6 | ARCHITECTURAL PLANS | 125660 | 0% | 100% | 1 | Search ARCHITECTURAL+PLANS | Search ARCHITECTURAL+PLANS |
7 | BALLET DES MUSES | 125660 | 0% | 100% | 1 | Search BALLET+DES+MUSES | Search BALLET+DES+MUSES |
8 | BALLETS DE COUR | 125660 | 0% | 100% | 1 | Search BALLETS+DE+COUR | Search BALLETS+DE+COUR |
9 | CATHOLIC MUSIC | 125660 | 0% | 100% | 1 | Search CATHOLIC+MUSIC | Search CATHOLIC+MUSIC |
10 | COMEDIE ITALIENNE | 125660 | 0% | 100% | 1 | Search COMEDIE+ITALIENNE | Search COMEDIE+ITALIENNE |
Core articles |
The table includes core articles in the class. The following variables is taken into account for the relevance score of an article in a cluster c: (1) Number of references referring to publications in the class. (2) Share of total number of active references referring to publications in the class. (3) Age of the article. New articles get higher score than old articles. (4) Citation rate, normalized to year. |
Rank | Reference | # ref. in cl. |
Shr. of ref. in cl. |
Citations |
---|---|---|---|---|
1 | FADER, D , (2010) THE GOUTS-REUNIS IN FRENCH VOCAL MUSIC (1695-1710) THROUGH THE LENS OF THE RECUEIL D'AIRS SERIEUX ET A BOIRE.REVUE DE MUSICOLOGIE. VOL. 96. ISSUE 2. P. 321-363 | 9 | 100% | 0 |
2 | CABRINI, M , (2012) THE COMPOSER'S EYE: FOCALIZING JUDITH IN THE CANTATAS BY JACQUET DE LA GUERRE AND BROSSARD.EIGHTEENTH-CENTURY MUSIC. VOL. 9. ISSUE 1. P. 9 -45 | 7 | 100% | 1 |
3 | DOE, J , (2015) OPERA-COMIQUE ON THE EVE OF REVOLUTION: DALAYRAC'S SARGINES AND THE DEVELOPMENT OF "HEROIC" COMEDY.JOURNAL OF THE AMERICAN MUSICOLOGICAL SOCIETY. VOL. 68. ISSUE 2. P. 317 -374 | 7 | 70% | 0 |
4 | RUFFATTI, A , (2006) RECEPTION OF CANTATAS OF LUIGI ROSSI IN FRANCE OF THE GREAT CENTURY.REVUE DE MUSICOLOGIE. VOL. 92. ISSUE 2. P. 287-307 | 6 | 100% | 1 |
5 | FADER, D , (2007) PHILIPPE II D'ORLEANS'S 'CHANTEURS ITALIENS', THE ITALIAN CANTATA AND THE GOUTS-REUNIS UNDER LOUIS XIV.EARLY MUSIC. VOL. 35. ISSUE 2. P. 237-+ | 5 | 100% | 1 |
6 | WOOLLEY, A , (2013) PURCELL AND THE RECEPTION OF LULLY'S 'SCOCCA PUR' (LWV 76/3) IN ENGLAND.JOURNAL OF THE ROYAL MUSICAL ASSOCIATION. VOL. 138. ISSUE 2. P. 229 -273 | 5 | 71% | 0 |
7 | FADER, D , (2005) THE 'CABALE DU DAUPHIN', CAMPRA, AND ITALIAN COMEDY: THE COURTLY POLITICS OF FRENCH MUSICAL PATRONAGE AROUND 1700.MUSIC & LETTERS. VOL. 86. ISSUE 3. P. 380-413 | 4 | 100% | 3 |
8 | CABRINI, M , (2009) BREAKING FORM THROUGH SOUND: INSTRUMENTAL AESTHETICS, TEMPETE, AND TEMPORALITY IN THE FRENCH BAROQUE CANTATA.JOURNAL OF MUSICOLOGY. VOL. 26. ISSUE 3. P. 327 -378 | 5 | 71% | 0 |
9 | RIVERA, G , (2015) MARIE PELISSIER (1707-49), THE DIVA OF THE DULIS AFFAIR.EARLY MUSIC. VOL. 43. ISSUE 2. P. 309 -+ | 3 | 100% | 0 |
10 | DILL, C , (2002) RAMEAU'S IMAGINARY MONSTERS: KNOWLEDGE, THEORY, AND CHROMATICISM IN 'HIPPOLYTE ET ARICIE'.JOURNAL OF THE AMERICAN MUSICOLOGICAL SOCIETY. VOL. 55. ISSUE 3. P. 433 -476 | 5 | 83% | 4 |
Classes with closest relation at Level 1 |