Class information for: |
Basic class information |
| Class id | #P | Avg. number of references |
Database coverage of references |
|---|---|---|---|
| 26017 | 265 | 30.0 | 9% |
Hierarchy of classes |
The table includes all classes above and classes immediately below the current class. |
| Cluster id | Level | Cluster label | #P |
|---|---|---|---|
| 1 | 4 | ECONOMICS//EDUCATION & EDUCATIONAL RESEARCH//PSYCHOL | 3876184 |
| 709 | 3 | THEATER//MONUMENTA NIPPONICA//ASIAN STUDIES | 5930 |
| 3310 | 2 | THEATER//MODERN DRAMA//CONTEMPORARY THEATRE REVIEW | 1839 |
| 26017 | 1 | THEATER//DRAMATURGY DRAMAT CRITICISM PROGRAM//FLUXUS | 265 |
Terms with highest relevance score |
| rank | Term | termType | Chi square | Shr. of publ. in class containing term |
Class's shr. of term's tot. occurrences |
#P with term in class |
|---|---|---|---|---|---|---|
| 1 | THEATER | WoSSC | 164805 | 40% | 1% | 106 |
| 2 | DRAMATURGY DRAMAT CRITICISM PROGRAM | address | 153635 | 1% | 67% | 2 |
| 3 | FLUXUS | authKW | 153635 | 1% | 67% | 2 |
| 4 | PERFORMANCE RESEARCH | journal | 148442 | 9% | 5% | 25 |
| 5 | AKASEGAWA | authKW | 115228 | 0% | 100% | 1 |
| 6 | ALBEE | authKW | 115228 | 0% | 100% | 1 |
| 7 | ANTONIETA SOSA | authKW | 115228 | 0% | 100% | 1 |
| 8 | ARCHITECTURAL VISUALISATION | authKW | 115228 | 0% | 100% | 1 |
| 9 | AREA CREAT ARTS | address | 115228 | 0% | 100% | 1 |
| 10 | AREA HUMANITIES | address | 115228 | 0% | 100% | 1 |
Web of Science journal categories |
| Rank | Term | Chi square | Shr. of publ. in class containing term |
Class's shr. of term's tot. occurrences |
#P with term in class |
|---|---|---|---|---|---|
| 1 | Theater | 164805 | 40% | 1% | 106 |
| 2 | Art | 8238 | 15% | 0% | 41 |
| 3 | Literature, Romance | 4360 | 9% | 0% | 25 |
| 4 | Humanities, Multidisciplinary | 1722 | 9% | 0% | 25 |
| 5 | Cultural Studies | 506 | 3% | 0% | 8 |
| 6 | Film, Radio, Television | 242 | 2% | 0% | 4 |
| 7 | Folklore | 236 | 1% | 0% | 3 |
| 8 | Literary Theory & Criticism | 216 | 2% | 0% | 4 |
| 9 | Music | 190 | 2% | 0% | 6 |
| 10 | Literature | 185 | 4% | 0% | 10 |
Address terms |
| Rank | Term | Chi square | Shr. of publ. in class containing term |
Class's shr. of term's tot. occurrences |
#P with term in class |
|---|---|---|---|---|---|
| 1 | DRAMATURGY DRAMAT CRITICISM PROGRAM | 153635 | 1% | 67% | 2 |
| 2 | AREA CREAT ARTS | 115228 | 0% | 100% | 1 |
| 3 | AREA HUMANITIES | 115228 | 0% | 100% | 1 |
| 4 | ARTAKT | 115228 | 0% | 100% | 1 |
| 5 | CONTEMPORARY CRIT THEORY ART HIST VISUAL CULTUR | 115228 | 0% | 100% | 1 |
| 6 | CRIMINAL JUSTICE GENDER STUDIES | 115228 | 0% | 100% | 1 |
| 7 | DANCE CHOREOG | 115228 | 0% | 100% | 1 |
| 8 | EXCELLENCE BIOL ARTS | 115228 | 0% | 100% | 1 |
| 9 | GEORGES ADULT EATING DISORDERS SERV | 115228 | 0% | 100% | 1 |
| 10 | HIST ART SCREEN MEDIA BIRKBECK | 115228 | 0% | 100% | 1 |
Journals |
| Rank | Term | Chi square | Shr. of publ. in class containing term |
Class's shr. of term's tot. occurrences |
#P with term in class |
|---|---|---|---|---|---|
| 1 | PERFORMANCE RESEARCH | 148442 | 9% | 5% | 25 |
| 2 | TDR-THE DRAMA REVIEW-THE JOURNAL OF PERFORMANCE STUDIES | 93509 | 6% | 5% | 17 |
| 3 | ARTMARGINS | 45084 | 1% | 13% | 3 |
| 4 | PAJ-A JOURNAL OF PERFORMANCE AND ART | 42868 | 2% | 9% | 4 |
| 5 | CONTEMPORARY THEATRE REVIEW | 39041 | 4% | 3% | 10 |
| 6 | THEATRE JOURNAL | 36341 | 5% | 2% | 14 |
| 7 | ANALES DE LA LITERATURA ESPANOLA CONTEMPORANEA | 30224 | 4% | 3% | 10 |
| 8 | SIGNA-REVISTA DE LA ASOCIACION ESPANOLA DE SEMIOTICA | 28799 | 2% | 6% | 4 |
| 9 | LATIN AMERICAN THEATRE REVIEW | 16648 | 2% | 2% | 6 |
| 10 | PALABRA Y EL HOMBRE | 16459 | 0% | 14% | 1 |
Author Key Words |
| Rank | Term | Chi square | Shr. of publ. in class containing term |
Class's shr. of term's tot. occurrences |
#P with term in class |
LCSH search | Wikipedia search |
|---|---|---|---|---|---|---|---|
| 1 | FLUXUS | 153635 | 1% | 67% | 2 | Search FLUXUS | Search FLUXUS |
| 2 | AKASEGAWA | 115228 | 0% | 100% | 1 | Search AKASEGAWA | Search AKASEGAWA |
| 3 | ALBEE | 115228 | 0% | 100% | 1 | Search ALBEE | Search ALBEE |
| 4 | ANTONIETA SOSA | 115228 | 0% | 100% | 1 | Search ANTONIETA+SOSA | Search ANTONIETA+SOSA |
| 5 | ARCHITECTURAL VISUALISATION | 115228 | 0% | 100% | 1 | Search ARCHITECTURAL+VISUALISATION | Search ARCHITECTURAL+VISUALISATION |
| 6 | AUTODESTRUCTIVE ART | 115228 | 0% | 100% | 1 | Search AUTODESTRUCTIVE+ART | Search AUTODESTRUCTIVE+ART |
| 7 | BIBLIOGRAPHY ON THEATRE | 115228 | 0% | 100% | 1 | Search BIBLIOGRAPHY+ON+THEATRE | Search BIBLIOGRAPHY+ON+THEATRE |
| 8 | BIOLOGICAL ART | 115228 | 0% | 100% | 1 | Search BIOLOGICAL+ART | Search BIOLOGICAL+ART |
| 9 | CALIF PERFORMANCE ART OF THE 70S | 115228 | 0% | 100% | 1 | Search CALIF+PERFORMANCE+ART+OF+THE+70S | Search CALIF+PERFORMANCE+ART+OF+THE+70S |
| 10 | EL PASAJERO | 115228 | 0% | 100% | 1 | Search EL+PASAJERO | Search EL+PASAJERO |
Core articles |
The table includes core articles in the class. The following variables is taken into account for the relevance score of an article in a cluster c: (1) Number of references referring to publications in the class. (2) Share of total number of active references referring to publications in the class. (3) Age of the article. New articles get higher score than old articles. (4) Citation rate, normalized to year. |
| Rank | Reference | # ref. in cl. |
Shr. of ref. in cl. |
Citations |
|---|---|---|---|---|
| 1 | SHALSON, L , (2013) ENDURING DOCUMENTS: RE-DOCUMENTATION IN MARINA ABRAMOVI'S SEVEN EASY PIECES.CONTEMPORARY THEATRE REVIEW. VOL. 23. ISSUE 3. P. 432-441 | 8 | 100% | 1 |
| 2 | HARREN, N , (2016) THE PROVISIONAL WORK OF ART: GEORGE BRECHT'S FOOTNOTES AT LACMA, 1969.GETTY RESEARCH JOURNAL. VOL. . ISSUE 8. P. 177 -197 | 5 | 100% | 0 |
| 3 | SENIOR, A , (2014) RELICS OF BIOART: ETHICS AND MESSIANIC AESTHETICS IN PERFORMANCE DOCUMENTATION.THEATRE JOURNAL. VOL. 66. ISSUE 2. P. 183 -+ | 8 | 62% | 0 |
| 4 | GARLITZ, VM , (2016) WONDERFUL LAMP AND THE PASSENGER.ANALES DE LA LITERATURA ESPANOLA CONTEMPORANEA. VOL. 41. ISSUE 3. P. - | 4 | 100% | 0 |
| 5 | STARTE, J , (2014) BECKETT'S DANCES.JOURNAL OF BECKETT STUDIES. VOL. 23. ISSUE 2. P. 178 -201 | 6 | 67% | 0 |
| 6 | HARARI, D , (2011) LAOTANG INTIMATE ENCOUNTERS.TDR-THE DRAMA REVIEW-THE JOURNAL OF PERFORMANCE STUDIES. VOL. 55. ISSUE 2. P. 137-149 | 4 | 100% | 0 |
| 7 | PUSTIANAZ, M , (2010) PERFORMANCE AND ITS 'INAPPROPRIATE OBJECTS': RORY MACBETH'S SCULPTURES AS PERFORMATIVE MIS-TAKING.PERFORMANCE RESEARCH. VOL. 15. ISSUE 2. P. 94 -98 | 4 | 100% | 0 |
| 8 | MIHAYLOVA, S , (2009) WHOSE PERFORMANCE IS IT ANYWAY? PERFORMED CRITICISM AS FEMINIST STRATEGY.NEW THEATRE QUARTERLY. VOL. 25. ISSUE 99. P. 255-273 | 4 | 100% | 0 |
| 9 | SPENCER, C , (2016) A CALENDAR OF HAPPENINGS: ALLAN KAPROW, COUNTER-CHRONOLOGIES AND CATALOGUING PERFORMANCE, C. 1970.ART HISTORY. VOL. 39. ISSUE 3. P. 568 -599 | 3 | 100% | 0 |
| 10 | PARK, JP , (2016) THE ARTIST WAS PRESENT DOCUMENTATION, RECONSTRUCTION, AND INTERPRETATION OF PERFORMANCE ART IN CHINA.THIRD TEXT. VOL. 30. ISSUE 1-2. P. 100 -116 | 3 | 100% | 0 |
Classes with closest relation at Level 1 |