Class information for: |
Basic class information |
Class id | #P | Avg. number of references |
Database coverage of references |
---|---|---|---|
25760 | 273 | 38.1 | 7% |
Hierarchy of classes |
The table includes all classes above and classes immediately below the current class. |
Cluster id | Level | Cluster label | #P |
---|---|---|---|
1 | 4 | ECONOMICS//EDUCATION & EDUCATIONAL RESEARCH//PSYCHOL | 3876184 |
248 | 3 | LITERATURE//LITERATURE, AMERICAN//LITERATURE, AFRICAN, AUSTRALIAN, CANADIAN | 46730 |
2662 | 2 | FILM, RADIO, TELEVISION//CINEMA JOURNAL//SCREEN | 3441 |
25760 | 1 | JOURNAL OF CHINESE CINEMAS//LUMIERE//SOVIET MONTAGE | 273 |
Terms with highest relevance score |
rank | Term | termType | Chi square | Shr. of publ. in class containing term |
Class's shr. of term's tot. occurrences |
#P with term in class |
---|---|---|---|---|---|---|
1 | JOURNAL OF CHINESE CINEMAS | journal | 376735 | 6% | 21% | 16 |
2 | LUMIERE | authKW | 223702 | 1% | 100% | 2 |
3 | SOVIET MONTAGE | authKW | 223702 | 1% | 100% | 2 |
4 | WENYI | authKW | 223702 | 1% | 100% | 2 |
5 | EAST-WEST FILM JOURNAL | journal | 189561 | 4% | 17% | 10 |
6 | FILM, RADIO, TELEVISION | WoSSC | 154323 | 37% | 1% | 101 |
7 | PATRICK KEILLER | authKW | 149133 | 1% | 67% | 2 |
8 | 1920S 1930S CHINESE CINEMA | authKW | 111851 | 0% | 100% | 1 |
9 | ADDICTION GEOGRAPHIES | authKW | 111851 | 0% | 100% | 1 |
10 | AMER STUDIES PROGRAMS | address | 111851 | 0% | 100% | 1 |
Web of Science journal categories |
Rank | Term | Chi square | Shr. of publ. in class containing term |
Class's shr. of term's tot. occurrences |
#P with term in class |
---|---|---|---|---|---|
1 | Film, Radio, Television | 154323 | 37% | 1% | 101 |
2 | Cultural Studies | 8558 | 12% | 0% | 33 |
3 | Humanities, Multidisciplinary | 1953 | 10% | 0% | 27 |
4 | Asian Studies | 1908 | 6% | 0% | 16 |
5 | Literature | 1098 | 9% | 0% | 24 |
6 | Communication | 502 | 5% | 0% | 15 |
7 | Literary Theory & Criticism | 476 | 2% | 0% | 6 |
8 | Music | 332 | 3% | 0% | 8 |
9 | Women’s Studies | 245 | 3% | 0% | 8 |
10 | Area Studies | 222 | 3% | 0% | 9 |
Address terms |
Rank | Term | Chi square | Shr. of publ. in class containing term |
Class's shr. of term's tot. occurrences |
#P with term in class |
---|---|---|---|---|---|
1 | AMER STUDIES PROGRAMS | 111851 | 0% | 100% | 1 |
2 | CHAIR FDN INTERCULTURAL PHILOSOPHY | 111851 | 0% | 100% | 1 |
3 | CHINESE LITERATURE ASSOCSHANGHAI MARRIAGE | 111851 | 0% | 100% | 1 |
4 | CHINESE LITERATURE VISUAL CULTURE | 111851 | 0% | 100% | 1 |
5 | COMPARAT LITERATURE CINEMA MEDIA | 111851 | 0% | 100% | 1 |
6 | CULTURAL HERITAGE IDENT | 111851 | 0% | 100% | 1 |
7 | DIGITAL HERITAGE | 111851 | 0% | 100% | 1 |
8 | ENVIRONM EQU JUSTICE | 111851 | 0% | 100% | 1 |
9 | FILM HERITAGE DIGITAL FILM CULTURE | 111851 | 0% | 100% | 1 |
10 | FILM MEDIA HIST | 111851 | 0% | 100% | 1 |
Journals |
Rank | Term | Chi square | Shr. of publ. in class containing term |
Class's shr. of term's tot. occurrences |
#P with term in class |
---|---|---|---|---|---|
1 | JOURNAL OF CHINESE CINEMAS | 376735 | 6% | 21% | 16 |
2 | EAST-WEST FILM JOURNAL | 189561 | 4% | 17% | 10 |
3 | MODERN CHINESE LITERATURE AND CULTURE | 58919 | 3% | 8% | 7 |
4 | EARLY POPULAR VISUAL CULTURE | 51208 | 3% | 7% | 7 |
5 | HRVATSKI FILMSKI LJETOPIS | 29823 | 1% | 13% | 2 |
6 | WIDE ANGLE-A QUARTERLY JOURNAL OF FILM HISTORY THEORY CRITICISM & PRACTICE | 26853 | 3% | 3% | 7 |
7 | CAMERA OBSCURA | 24500 | 3% | 3% | 8 |
8 | SCREEN | 21338 | 4% | 2% | 12 |
9 | CINEMA JOURNAL | 18438 | 4% | 2% | 10 |
10 | FILM QUARTERLY | 12996 | 2% | 2% | 5 |
Author Key Words |
Rank | Term | Chi square | Shr. of publ. in class containing term |
Class's shr. of term's tot. occurrences |
#P with term in class |
LCSH search | Wikipedia search |
---|---|---|---|---|---|---|---|
1 | LUMIERE | 223702 | 1% | 100% | 2 | Search LUMIERE | Search LUMIERE |
2 | SOVIET MONTAGE | 223702 | 1% | 100% | 2 | Search SOVIET+MONTAGE | Search SOVIET+MONTAGE |
3 | WENYI | 223702 | 1% | 100% | 2 | Search WENYI | Search WENYI |
4 | PATRICK KEILLER | 149133 | 1% | 67% | 2 | Search PATRICK+KEILLER | Search PATRICK+KEILLER |
5 | 1920S 1930S CHINESE CINEMA | 111851 | 0% | 100% | 1 | Search 1920S+1930S+CHINESE+CINEMA | Search 1920S+1930S+CHINESE+CINEMA |
6 | ADDICTION GEOGRAPHIES | 111851 | 0% | 100% | 1 | Search ADDICTION+GEOGRAPHIES | Search ADDICTION+GEOGRAPHIES |
7 | ANIMATED PHOTOGRAPHY | 111851 | 0% | 100% | 1 | Search ANIMATED+PHOTOGRAPHY | Search ANIMATED+PHOTOGRAPHY |
8 | ANTI FILM | 111851 | 0% | 100% | 1 | Search ANTI+FILM | Search ANTI+FILM |
9 | BRITISH FILM PRODUCTION | 111851 | 0% | 100% | 1 | Search BRITISH+FILM+PRODUCTION | Search BRITISH+FILM+PRODUCTION |
10 | CHINESE ANIMATION AESTHETICS | 111851 | 0% | 100% | 1 | Search CHINESE+ANIMATION+AESTHETICS | Search CHINESE+ANIMATION+AESTHETICS |
Core articles |
The table includes core articles in the class. The following variables is taken into account for the relevance score of an article in a cluster c: (1) Number of references referring to publications in the class. (2) Share of total number of active references referring to publications in the class. (3) Age of the article. New articles get higher score than old articles. (4) Citation rate, normalized to year. |
Rank | Reference | # ref. in cl. |
Shr. of ref. in cl. |
Citations |
---|---|---|---|---|
1 | YEH, EYY , (2015) TRANSLATING YINGXI: CHINESE FILM GENEALOGY AND EARLY CINEMA IN HONG KONG.JOURNAL OF CHINESE CINEMAS. VOL. 9. ISSUE 1. P. 76 -109 | 4 | 100% | 0 |
2 | FAN, V , (2011) THE CINEMA OF SUN YU: ICE CREAM FOR THE EYE. BUT WITH A HOMO SACER.JOURNAL OF CHINESE CINEMAS. VOL. 5. ISSUE 3. P. 219-251 | 5 | 83% | 1 |
3 | HILLENBRAND, M , (2012) CHROMATIC EXPRESSIONISM IN CONTEMPORARY CHINESE-LANGUAGE CINEMA.JOURNAL OF CHINESE CINEMAS. VOL. 6. ISSUE 3. P. 211-231 | 4 | 100% | 0 |
4 | LIU, X , (2015) RED DETACHMENT OF WOMEN: REVOLUTIONARY MELODRAMA AND ALTERNATIVE SOCIALIST IMAGINATIONS.DIFFERENCES-A JOURNAL OF FEMINIST CULTURAL STUDIES. VOL. 26. ISSUE 3. P. 116 -141 | 5 | 71% | 0 |
5 | CLARKE, DB , DOEL, MA , (2007) SHOOTING SPACE, TRACKING TIME: THE CITY FROM ANIMATED PHOTOGRAPHY TO VERNACULAR RELATIVITY.CULTURAL GEOGRAPHIES. VOL. 14. ISSUE 4. P. 589-609 | 5 | 83% | 5 |
6 | VIEGAS, S , (2016) GILLES DELEUZE AND EARLY CINEMA: THE MODERNITY OF THE EMANCIPATED TIME.EARLY POPULAR VISUAL CULTURE. VOL. 14. ISSUE 3. P. 234 -250 | 3 | 100% | 0 |
7 | BELC, P , (2016) MIHOVIL PANSINI AND ANTI-FILM. THEORETICAL AND HISTORICAL ASPECTS.HRVATSKI FILMSKI LJETOPIS. VOL. 22. ISSUE 85. P. 6 -+ | 3 | 100% | 0 |
8 | LI, H , (2013) GENDER ROLES AND THEIR DISPLACEMENT IN TUYA'S MARRIAGE.JOURNAL OF CHINESE CINEMAS. VOL. 7. ISSUE 2. P. 123-137 | 4 | 80% | 0 |
9 | GREWAL, A , (2013) TRANSNATIONAL SOCIALIST IMAGINARY AND THE PROLETARIAN WOMAN IN CHINA.CLCWEB-COMPARATIVE LITERATURE AND CULTURE. VOL. 15. ISSUE 2. P. - | 4 | 80% | 0 |
10 | HAN, QJ , (2015) THE PORTRAYAL OF FAMILY IN EARLY CHINESE MELODRAMA FILMS.CRITICAL ARTS-SOUTH-NORTH CULTURAL AND MEDIA STUDIES. VOL. 29. ISSUE 3. P. 419 -436 | 3 | 100% | 0 |
Classes with closest relation at Level 1 |