Class information for: |
Basic class information |
Class id | #P | Avg. number of references |
Database coverage of references |
---|---|---|---|
32515 | 138 | 35.3 | 8% |
Hierarchy of classes |
The table includes all classes above and classes immediately below the current class. |
Cluster id | Level | Cluster label | #P |
---|---|---|---|
1 | 4 | ECONOMICS//EDUCATION & EDUCATIONAL RESEARCH//PSYCHOL | 3876184 |
695 | 3 | FOLKLORE//CONSPIRACY THEORIES//WESTERN FOLKLORE | 7192 |
3906 | 2 | HAYDN-STUDIEN//FONTES ARTIS MUSICAE//HOGE SINT LUKAS BRUSSEL | 823 |
32515 | 1 | HOGE SINT LUKAS BRUSSEL//CINEMA MEMORY//NEW CINEMA HISTORY | 138 |
Terms with highest relevance score |
rank | Term | termType | Chi square | Shr. of publ. in class containing term |
Class's shr. of term's tot. occurrences |
#P with term in class |
---|---|---|---|---|---|---|
1 | HOGE SINT LUKAS BRUSSEL | address | 663816 | 2% | 100% | 3 |
2 | CINEMA MEMORY | authKW | 497861 | 2% | 75% | 3 |
3 | NEW CINEMA HISTORY | authKW | 442544 | 1% | 100% | 2 |
4 | OTTOMAR ANSCHUTZ | authKW | 442544 | 1% | 100% | 2 |
5 | WERKGRP FILM TELEVISIESTUDIES | address | 442544 | 1% | 100% | 2 |
6 | CINEMAGOING | authKW | 398287 | 2% | 60% | 3 |
7 | BELGISCH TIJDSCHRIFT VOOR NIEUWSTE GESCHIEDENIS-REVUE BELGE D HISTOIRE CONTEMPORAINE | journal | 257467 | 6% | 15% | 8 |
8 | ADDITIVE COLOUR | authKW | 221272 | 1% | 100% | 1 |
9 | AFILMIC | authKW | 221272 | 1% | 100% | 1 |
10 | BELGIAN CINEMA | authKW | 221272 | 1% | 100% | 1 |
Web of Science journal categories |
Rank | Term | Chi square | Shr. of publ. in class containing term |
Class's shr. of term's tot. occurrences |
#P with term in class |
---|---|---|---|---|---|
1 | Film, Radio, Television | 74817 | 36% | 1% | 50 |
2 | Folklore | 4164 | 7% | 0% | 9 |
3 | Humanities, Multidisciplinary | 1927 | 14% | 0% | 19 |
4 | Cultural Studies | 1251 | 7% | 0% | 9 |
5 | Art | 1128 | 8% | 0% | 11 |
6 | History | 881 | 14% | 0% | 20 |
7 | Communication | 448 | 7% | 0% | 10 |
8 | Philosophy | 338 | 8% | 0% | 11 |
9 | Literature, Romance | 116 | 2% | 0% | 3 |
10 | Literary Theory & Criticism | 103 | 1% | 0% | 2 |
Address terms |
Rank | Term | Chi square | Shr. of publ. in class containing term |
Class's shr. of term's tot. occurrences |
#P with term in class |
---|---|---|---|---|---|
1 | HOGE SINT LUKAS BRUSSEL | 663816 | 2% | 100% | 3 |
2 | WERKGRP FILM TELEVISIESTUDIES | 442544 | 1% | 100% | 2 |
3 | FILM HISTORIOG | 221272 | 1% | 100% | 1 |
4 | HIST THEORY PHOTOG BIRKBECK | 221272 | 1% | 100% | 1 |
5 | OLARSHIP TEACHING LEARNING SOTL | 221272 | 1% | 100% | 1 |
6 | ONDERZOEKSGRP VISUELE CULTUUR | 221272 | 1% | 100% | 1 |
7 | PAREL EDUC STUDIES HOSPITALITY MANAGEMENT | 221272 | 1% | 100% | 1 |
8 | PAREL MERCHANDISING DESIGN PROGRAM | 221272 | 1% | 100% | 1 |
9 | SCREEN ARCH SOUTH EAST | 221272 | 1% | 100% | 1 |
10 | VAKGRP COMMUNICATIEWETEN PEN | 221272 | 1% | 100% | 1 |
Journals |
Rank | Term | Chi square | Shr. of publ. in class containing term |
Class's shr. of term's tot. occurrences |
#P with term in class |
---|---|---|---|---|---|
1 | BELGISCH TIJDSCHRIFT VOOR NIEUWSTE GESCHIEDENIS-REVUE BELGE D HISTOIRE CONTEMPORAINE | 257467 | 6% | 15% | 8 |
2 | EARLY POPULAR VISUAL CULTURE | 167489 | 7% | 8% | 9 |
3 | VOLKSKUNDE | 104796 | 7% | 5% | 9 |
4 | CINEMA JOURNAL | 61682 | 9% | 2% | 13 |
5 | MOVING IMAGE | 35400 | 1% | 8% | 2 |
6 | JOURNAL OF THE UNIVERSITY FILM ASSOCIATION | 31609 | 1% | 14% | 1 |
7 | JOURNAL OF POPULAR FILM AND TELEVISION | 18775 | 4% | 1% | 6 |
8 | JOURNAL OF THE UNIVERSITY FILM AND VIDEO ASSOCIATION | 18438 | 1% | 8% | 1 |
9 | HISTORICAL JOURNAL OF FILM RADIO AND TELEVISION | 17970 | 4% | 1% | 6 |
10 | CANADIAN JOURNAL OF FILM STUDIES-REVUE CANADIENNE D ETUDES CINEMATOGRAPHIQUES | 15524 | 1% | 4% | 2 |
Author Key Words |
Rank | Term | Chi square | Shr. of publ. in class containing term |
Class's shr. of term's tot. occurrences |
#P with term in class |
LCSH search | Wikipedia search |
---|---|---|---|---|---|---|---|
1 | CINEMA MEMORY | 497861 | 2% | 75% | 3 | Search CINEMA+MEMORY | Search CINEMA+MEMORY |
2 | NEW CINEMA HISTORY | 442544 | 1% | 100% | 2 | Search NEW+CINEMA+HISTORY | Search NEW+CINEMA+HISTORY |
3 | OTTOMAR ANSCHUTZ | 442544 | 1% | 100% | 2 | Search OTTOMAR+ANSCHUTZ | Search OTTOMAR+ANSCHUTZ |
4 | CINEMAGOING | 398287 | 2% | 60% | 3 | Search CINEMAGOING | Search CINEMAGOING |
5 | ADDITIVE COLOUR | 221272 | 1% | 100% | 1 | Search ADDITIVE+COLOUR | Search ADDITIVE+COLOUR |
6 | AFILMIC | 221272 | 1% | 100% | 1 | Search AFILMIC | Search AFILMIC |
7 | BELGIAN CINEMA | 221272 | 1% | 100% | 1 | Search BELGIAN+CINEMA | Search BELGIAN+CINEMA |
8 | BIRT ACRES | 221272 | 1% | 100% | 1 | Search BIRT+ACRES | Search BIRT+ACRES |
9 | CHILDHOOD CINEMAGOING | 221272 | 1% | 100% | 1 | Search CHILDHOOD+CINEMAGOING | Search CHILDHOOD+CINEMAGOING |
10 | COMMERCIAL CINEMA | 221272 | 1% | 100% | 1 | Search COMMERCIAL+CINEMA | Search COMMERCIAL+CINEMA |
Core articles |
The table includes core articles in the class. The following variables is taken into account for the relevance score of an article in a cluster c: (1) Number of references referring to publications in the class. (2) Share of total number of active references referring to publications in the class. (3) Age of the article. New articles get higher score than old articles. (4) Citation rate, normalized to year. |
Rank | Reference | # ref. in cl. |
Shr. of ref. in cl. |
Citations |
---|---|---|---|---|
1 | ENGELEN, L , (2012) HERITAGE, EPHEMERA AND MEMORABILIA THE MARGIN OR CENTER?.VOLKSKUNDE. VOL. 113. ISSUE 2. P. 170-175 | 7 | 100% | 0 |
2 | VAN DE VIJVER, L , BILTEREYST, D , (2013) CINEMAGOING AS A CONDITIONAL PART OF EVERYDAY LIFE: MEMORIES OF CINEMAGOING IN GHENT FROM THE 1930S TO THE 1970S.CULTURAL STUDIES. VOL. 27. ISSUE 4. P. 561-584 | 7 | 88% | 2 |
3 | LOZANO, JC , (2017) FILM AT THE BORDER: MEMORIES OF CINEMAGOING IN LAREDO, TEXAS.MEMORY STUDIES. VOL. 10. ISSUE 1. P. 35 -48 | 5 | 83% | 0 |
4 | AVEYARD, K , (2016) FILM CONSUMPTION IN THE 21ST CENTURY: ENGAGING WITH NON-THEATRICAL VIEWING.MEDIA INTERNATIONAL AUSTRALIA. VOL. 160. ISSUE 1. P. 140 -149 | 5 | 83% | 0 |
5 | WILLEMS, G , (2016) FROM CULTURALLY RESPECTABLE TO PLEASANT FILMS.VOLKSKUNDE. VOL. 117. ISSUE 2. P. 143 -+ | 4 | 100% | 0 |
6 | AVEYARD, K , MORAN, A , (2011) CINEMA-GOING, AUDIENCES AND EXHIBITION.MEDIA INTERNATIONAL AUSTRALIA. VOL. . ISSUE 139. P. 73-79 | 4 | 100% | 0 |
7 | VANCAMP, J , (1995) THE COLORIZATION CONTROVERSY.JOURNAL OF VALUE INQUIRY. VOL. 29. ISSUE 4. P. 447-468 | 8 | 80% | 0 |
8 | BILTEREYST, D , VANDE WINKEL, R , (2009) NEWSREELS IN BELGIUM (1918-1994).BELGISCH TIJDSCHRIFT VOOR NIEUWSTE GESCHIEDENIS-REVUE BELGE D HISTOIRE CONTEMPORAINE. VOL. 39. ISSUE 1-2. P. 53 -92 | 4 | 100% | 0 |
9 | MOORE, PS , (2016) EPHEMERA AS MEDIUM THE AFTERLIFE OF LOST FILMS.MOVING IMAGE. VOL. 16. ISSUE 1. P. 134 -139 | 3 | 100% | 0 |
10 | WILLEMS, G , (2016) CINEMA, THE GOVERNMENT, AND THE POPULAR: POPULAR AND COMMERCIAL ASPECTS OF CULTURAL FILM SUPPORT IN FLANDERS (BELGIUM).JOURNAL OF POPULAR FILM AND TELEVISION. VOL. 44. ISSUE 4. P. 227 -235 | 3 | 100% | 0 |
Classes with closest relation at Level 1 |