Publications
Publications
[1]
A.-K. Kaila och B. Sturm,
"Agonistic Dialogue on the Value and Impact of AI Music Applications,"
i Proceedings of the 2024 International Conference on AI and Musical Creativity, 2024.
[2]
P. Jääskeläinen, A. Holzapfel och E. Eriksson,
"AI Art for Self-Interest or Common Good? Uncovering Value Tensions in Artists’ Imaginaries of AI Technologies,"
i DIS '24: Proceedings of the 2024 ACM Designing Interactive Systems Conference, 2024.
[3]
S. Pauletto,
"Beyond sound objects,"
i Traces of Sound, Frisk, Henrik & Sanne Krogh Groth red., Lund : Lund University Open Access, 2024, s. 51-66.
[4]
S. Pauletto och Y. Seznec,
"Connecting sound to data : sonification workshop methods with expert and non-expert participants,"
Journal of The Audio Engineering Society, vol. 72, no. 5, s. 328-340, 2024.
[5]
A.-K. Kaila, A. Holzapfel och P. Jääskeläinen,
"Gardening Frictions in Creative AI : Emerging Art Practices and Their Design Implications,"
i Proceedings of the 15th International Conference on Computational Creativity, 2024.
[6]
Y. Seznec,
"Robots for Distant Musicians,"
i Companion Publication of the 2024 ACM Designing Interactive Systems Conference, DIS 2024, 2024.
[7]
P. Jääskeläinen, A.-K. Kaila och A. Holzapfel,
"Uncovering Challenges and Changes in Artists’ Practices as a Consequence of AI,"
i Workshop Proceedings of GenAICHI - CHI 2024 Workshop on Generative AI and HCI, 2024.
[8]
E. Frid et al.,
"A Dual-Task Experimental Methodology for Exploration of Saliency of Auditory Notifications in a Retail Soundscape,"
i Proceedings of the 28th International Conference on Auditory Display (ICAD2023): Sonification for the Masses, 2023, 2023.
[9]
O. Misgeld, H. Lindetorp och A. Holzapfel,
"Accessible sonification of movement : A case in Swedish folk dance,"
i Proceedings of SMC 2023 - Sound and Music Computing Conference, 2023, s. 201-208.
[10]
A.-K. Kaila, A. Holzapfel och B. Sturm,
"Are we solving the wrong problems – and doing harm in the process?,"
i The International Conference on AI and Musical Creativity, Alt-AIMC track, 2023.
[11]
R. Huang et al.,
"Beyond Diverse Datasets : Responsible MIR, Interdisciplinarity, and the Fractured Worlds of Music,"
Transactions of the International Society for Music Information Retrieval, vol. 6, no. 1, s. 43-59, 2023.
[12]
S. Pauletto et al.,
"Connecting sound design future with historical creative practices : developing digital tools by modelling historical sound effects,"
i Proceedings Forum Acusticum 2023 - 10th Convention of the European Acoustics Association, EAA 2023, 2023.
[13]
A.-K. Kaila, P. Jääskeläinen och A. Holzapfel,
"Ethically Aligned Stakeholder Elicitation (EASE) : Case Study in Music-AI,"
i NIME, 2023.
[14]
A.-K. Kaila, J. Petra och A. Holzapfel,
"Explorations with Ethically Aligned Stakeholder Analysis (EASE),"
i GenerativeAIandHCI.github.io, 2023.
[15]
V. Madaghiele, A. D. Demir och S. Pauletto,
"Heat-sensitive sonic textiles : fostering awareness of the energy we save by wearing warm fabrics,"
i SMC 2023 : Proceedings of the Sound and Music Computing Conference 2023, 2023, s. 395-402.
[16]
V. Madaghiele, D. Demir och S. Pauletto,
"Heat-sensitive sonic textiles: increasing awareness of the energy we save by wearing warm fabrics,"
i Sound and Music Computing Conference, 2023.
[17]
A. Holzapfel,
"Introducing Political Ecology of Creative-Ai,"
i Handbook of Critical Studies of Artificial Intelligence, Simon Lindgren red., Cheltenham, United Kingdom : Edward Elgar Publishing, 2023.
[18]
D. Holzer, L. Aron och A. Holzapfel,
"Laser Phase Synthesis,"
i New Interfaces for Musical Expression conference (NIME), 2023.
[19]
A. Clemente, A. Friberg och A. Holzapfel,
"Relations between perceived affect and liking for melodies and visual designs.,"
Emotion, vol. 23, no. 6, s. 1584-1605, 2023.
[20]
S. Pauletto et al.,
"Sonifying energy consumption using SpecSinGAN,"
i Proceedings of the Sound and Music ComputingConference 2023, 2023.
[21]
N. Misdariis et al.,
"The Audible Universe Workshop: an Interdisciplinary Approach to the Design and Evaluation of Tools for Astronomical Data Sonification,"
i 28th International Conference on Auditory Displays (ICAD 2023) - Sonification for the Masses, Norrköping, Sweden, 26–30 June 2023, 2023.
[22]
Y. Seznec et al.,
"The Sound of the Future Home Workshop : Ideating Sonic Prototypes for Sustainable Energy Consumption,"
i 18th International Audio Mostly Conference, AM 2023, Edinburgh, United Kingdom of Great Britain and Northern Ireland, Aug 30 2023 - Sep 1 2023, 2023, s. 101-108.
[23]
A. Holzapfel, P. Jääskeläinen och A.-K. Kaila,
"Environmental and Social Sustainability of Creative-Ai,"
i GenAICHI Generative AI and CHI wokshop - ACM CHI 2022, 2022.
[24]
F. Keenan och S. Pauletto,
"Evaluating a Sonic Interaction Design Based on a Historic Theatre Sound Effect,"
International journal of human-computer studies, vol. 164, 2022.
[25]
V. Madaghiele och S. Pauletto,
"Experimenting techniques for sonic implicit interactions: a real time sonification of body-textile heat exchange with sound augmented fabrics,"
i In: Pauletto, S., Delle Monache, S. and Selfridge, R. (Eds) Proceedings of the Conference on Sonification of Health and Environmental Data (SoniHED 2022). ISBN: 978-91-8040-358-0, 2022.
[26]
P. Jääskeläinen, A. Holzapfel och C. Åsberg,
"Exploring More-than-Human Caring in Creative-Ai Interactions,"
i NordiCHI '22: Nordic Human-Computer Interaction Conference, 2022.
[27]
S. Pauletto,
"Foley performance and sonic implicit interactions : How Foley artists might hold the secret for the design of sonic implicit interactions,"
i The Body in Sound, Music and Performance : Studies in Audio and Sonic Arts, : Informa UK Limited, 2022, s. 265-278.
[28]
A. Holzapfel,
"From Dusk till dawn : An analysis of Cretan music festivities,"
i Trends in World Music Analysis : New Directions in World Music Analysis, Lawrence Beaumont Shuster, Somangshu Mukherji and Noé Dinnerstein red., : Routledge, 2022.
[29]
R. S. Huang, A. Holzapfel och B. Sturm,
"Global Ethics : From Philosophy to Practice A Culturally Informed Ethics of Music AI in Asia,"
i Artificial Intelligence and Music Ecosystem, Martin Clancy red., : Routledge, 2022, s. 126-141.
[30]
D. Holzer,
"In Search of the Plastic Image : a Media Archaeology of Scan Processing,"
Proceedings of the ACM on Computer Graphics and Interactive Techniques, vol. 5, no. 4, 2022.
[31]
R. Selfridge och S. Pauletto,
"Investigating the sound design process: two case studies from radio and film production,"
i DRS Biennial Conference Series, 2022.
[32]
Y. Seznec,
"Music Within Limits,"
i 2022 International Conference on ICT for Sustainability (ICT4S), 2022, s. 172-178.
[33]
H. E. Tez, R. Selfridge och J. Reiss,
"Ocean Wave Sound Synthesis and Perceptual Evaluation,"
i AES Europe Spring 2022 : 152nd Audio Engineering Society Convention 2022, 2022, s. 185-191.
[34]
P. Jääskeläinen, A. Holzapfel och D. Pargman,
"On the environmental sustainability of Ai art(s),"
i Workshop on Computing within Limits, June 21-22, 2022.
[35]
R. Selfridge, C. Barone och S. Pauletto,
"Sonifying an Office Gadget to Indicate Air Quality,"
i Proceedings of the 19th Sound and Music Computing Conference, June 5-12th, 2022, Saint-Étienne (France), 2022, s. 54-61.
[36]
R. Selfridge och S. Pauletto,
"Sound Design Ideation: Comparing Four Sound Designers’ Approaches,"
i Proceedings of the 19th Sound and Music Computing Conference, June 5-12th, 2022, Saint-Étienne (France), 2022.
[37]
R. Selfridge och S. Pauletto,
"Sound Design Ideation : Comparing Four Sound Designers' Approaches,"
i Proceedings of the Sound and Music Computing Conferences, 2022, s. 92-99.
[38]
N. Misdariis et al.,
"Sound experts’ perspectives on astronomy sonification projects,"
Nature Astronomy, vol. 6, no. 11, s. 1249-1255, 2022.
[39]
Y. Seznec och S. Pauletto,
"The Singing Shower : A melody-sensitive interface for physical interaction and efficient energy consumption,"
i Proceedings of the 19th Sound and Music Computing Conference, June 5-12th, 2022, Saint-Étienne (France), 2022.
[40]
V. Madaghiele och S. Pauletto,
"The Sonic Carpet : Real-Time Feedback of Energy Consumption and Emission Data through Sonic Interaction Design,"
i The 27th International Conference on Auditory Display (ICAD 2022), 2022, s. 55-63.
[41]
Y. Seznec och S. Pauletto,
"Towards a workshop methodology for involving non-experts in the sonic interaction design process : Connecting household sounds and energy,"
i The 27th International Conference on Auditory Display (ICAD 2022), 2022, s. 44-51.
[42]
P. Jääskeläinen, D. Pargman och A. Holzapfel,
"Towards Sustainability Assessment of Artificial Intelligence in Artistic Practices,"
i ICT4S (International Conference on ICT for Sustainability), ICT4S (International Conference on ICT for Sustainability), in Plovdiv, Bulgaria. Main conference: 14 - 16 June 2022 Pre-conference workshops: 13 June 2022 Post-conference workshops: 17 June 2022, 2022.
[43]
R. Selfridge et al.,
"Twang! : A physically derived synthesis model for the sound of a vibrating bar,"
i AES Europe Spring 2022 : 152nd Audio Engineering Society Convention 2022, 2022, s. 76-85.
[44]
O. Misgeld et al.,
"A case study of deep enculturation and sensorimotor synchronization to real music,"
i Proceedings of the 22nd International Conference on Music Information Retrieval, ISMIR 2021, International Society for Music Information Retrieval, 2021, s. 460-467.
[45]
J. D. Reiss, H. E. Tez och R. Selfridge,
"A comparative perceptual evaluation of thunder synthesis techniques,"
i 150th Audio Engineering Society Convention, AES 2021, 2021.
[46]
J. Hölling, M. Svahn och S. Pauletto,
"Audio-Visual Interactive Art: Investigating the effect of gaze-controlled audio on visual attention and short-term memory,"
i AM '21: Audio Mostly 2021 Proceedings, 2021.
[47]
D. Holzer, K. Shi och A. Holzapfel,
"Datatonism : Emulating Historical Instruments As A Pedagogic Exercise,"
i Proceedings of the 2nd Nordic Sound and Music Computing (NordicSMC) Conference, 2021.
[48]
R. Huang, B. Sturm och A. Holzapfel,
"De-centering the west : East asian philosophies and the ethics of applying artificial intelligence to music,"
i International Society for Music Information Retrieval Conference, ISMIR, 2021.
[49]
S. Pauletto et al.,
"From Foley professional practice to Sonic Interaction Design: initial research conducted within the Radio Sound Studio Project.,"
i Nordic Sound and Music Computing Conference, 2021.
[50]
K. B. McAlpine, J. Cook och R. Selfridge,
"Hearing history : A virtual perspective on music performance,"
i 3D Audio, : Taylor and Francis Inc., 2021, s. 207-227.