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Publications

Publications

[1]
D. Holzer, "A Piano for Visuals : Affordances of Scan Processing Instruments," Leonardo : Journal of the International Society for the Arts, Sciences and Technology, pp. 1-19, 2024.
[2]
A.-K. Kaila and B. Sturm, "Agonistic Dialogue on the Value and Impact of AI Music Applications," in Proceedings of the 2024 International Conference on AI and Musical Creativity, 2024.
[3]
P. Jääskeläinen, A. Holzapfel and E. Eriksson, "AI Art for Self-Interest or Common Good? Uncovering Value Tensions in Artists’ Imaginaries of AI Technologies," in Proceedings of the 2024 ACM Designing Interactive Systems Conference, DIS 2024, 2024, pp. 2897-2910.
[4]
B. Sturm et al., "AI Music Studies : Preparing for the Coming Flood," in Proceedings of AI Music Creativity, 2024.
[5]
S. Pauletto, "Beyond sound objects," in Traces of Sound, Frisk, Henrik & Sanne Krogh Groth Ed., Lund : Lund University Open Access, 2024, pp. 51-66.
[7]
S. Pauletto and Y. Seznec, "Connecting sound to data : sonification workshop methods with expert and non-expert participants," Journal of The Audio Engineering Society, vol. 72, no. 5, pp. 328-340, 2024.
[8]
P. Jääskeläinen, "Creative AI as More-than-Human – Design Practices, Aesthetics and Cultural Imaginaries," in More-Than-Human Design in Practice, Anton Poikolainen Rosén, Andrea Botero, Marie Louise Sondergaard Juhl and Antti Salovaara Ed., : Taylor & Francis, 2024.
[9]
P. Jääskeläinen and A. Biørn-Hansen, "Critical Questions for Sustainability Research in Computational Creativity," in Proceedings of ICCC '24: International Conference of Computational Creativity, 2024.
[10]
P. Jääskeläinen and E. Kanhov, "Data Ethics and Practices of Human-Nonhuman Sound Technologies and Ecologies," in VIHAR '24 - 4th International Workshop on Vocal Interactivity in-and-between Humans, Animals and Robots, 2024.
[11]
W. Van Der Maden et al., "Death of the Design Researcher? Creating Knowledge Resources for Designers Using Generative AI," in DIS '24 Companion: Companion Publication of the 2024 ACM Designing Interactive Systems Conference, 2024.
[12]
S. Pauletto et al., "Designing for sustainability with sound," in DRS2024: Boston, 2024.
[13]
S. Delle Monache, A. Cera and S. Pauletto, "From data to dialogue : “Earth Electric”, a sonic journey through global energy landscapes," in AM '24: Proceedings of the 19th International Audio Mostly Conference: Explorations in Sonic Cultures, 2024.
[14]
A.-K. Kaila, A. Holzapfel and P. Jääskeläinen, "Gardening Frictions in Creative AI : Emerging Art Practices and Their Design Implications," in Proceedings of the 15th International Conference on Computational Creativity, 2024.
[15]
S. Delle Monache et al., "How do you sound design? Articulating experiences and cultures via listening," in DRS Design Research Society Conference DRS2024: Boston, 23–28 June, Boston, USA, 2024.
[16]
D. Larson Holmgren, N. Misdariis and S. Pauletto, "Investigating the Effectiveness of Sound Descriptors for Non-Expert Listeners," in AM '24: Proceedings of the 19th International Audio Mostly Conference: Explorations in Sonic Cultures, 2024.
[17]
Y. Seznec, "Robots for Distant Musicians," in Companion Publication of the 2024 ACM Designing Interactive Systems Conference, DIS 2024, 2024.
[18]
A. Choubey, A. Cera and S. Pauletto, "Sonic Blankets : exploring the use of sound-augmented blankets for relaxation and sleep," in ACM AudioMostly, 18-20 September 2024, University of Milan, Italy, 2024.
[19]
S. Pauletto, "Sonification and Sustainability," in The Routledge Handbook of Sound Design, Michael Filimowicz Ed., : Focal Press, 2024.
[20]
R. Selfridge, S. Delle Monache and S. Pauletto, "Sound design ideation : a structured and systematic analysis," in AM '24: Proceedings of the 19th International Audio Mostly Conference: Explorations in Sonic Cultures, 2024, pp. 492-50118.
[21]
Y. Seznec and N. Campo Woytuk, "The Period Instrument," in Proceedings of the International Conference on New Interfaces for Musical Expression, 2024.
[22]
Y. Seznec, "Three Ways to Destroy a Sound," in NordiCHI '24 Adjunct: Adjunct Proceedings of the 2024 Nordic Conference on Human-Computer Interaction : on, 2024.
[23]
P. Jääskeläinen, A.-K. Kaila and A. Holzapfel, "Uncovering Challenges and Changes in Artists’ Practices as a Consequence of AI," in Workshop Proceedings of GenAICHI - CHI 2024 Workshop on Generative AI and HCI, 2024.
[24]
P. Jääskeläinen and C. Åsberg, "What’s the Look of "Negative Gender" and “Max Ethnicity” in AI-Generated Images? A Critical Visual Analysis of the Intersectional Politics of Portrayal," in AltCHI. ACM Conference on Human Factors in Computing Systems (CHI), 2024.
[25]
E. Frid et al., "A Dual-Task Experimental Methodology for Exploration of Saliency of Auditory Notifications in a Retail Soundscape," in Proceedings of the 28th International Conference on Auditory Display (ICAD2023): Sonification for the Masses, 2023, 2023.
[26]
O. Misgeld, H. Lindetorp and A. Holzapfel, "Accessible sonification of movement : A case in Swedish folk dance," in Proceedings of SMC 2023 - Sound and Music Computing Conference, 2023, pp. 201-208.
[27]
A.-K. Kaila, A. Holzapfel and B. Sturm, "Are we solving the wrong problems – and doing harm in the process?," in The International Conference on AI and Musical Creativity, Alt-AIMC track, 2023.
[28]
R. Huang et al., "Beyond Diverse Datasets : Responsible MIR, Interdisciplinarity, and the Fractured Worlds of Music," Transactions of the International Society for Music Information Retrieval, vol. 6, no. 1, pp. 43-59, 2023.
[29]
H. Zhu, I. A. A. Faradynawati and P. Jääskeläinen, "Can AI evoke customers' sustainable investment preferences? A user study of Robo-advisors," in The 2023 International Conference on Sustainability, Environment, and Social Transition in Economics and Finance (SESTEF 2023), 2023.
[30]
A. Friberg, T. Gulz and C. Wettebrandt, "Computer Tools for Modeling Swing in a Jazz Ensemble," Computer music journal, vol. 47, no. 1, pp. 85-109, 2023.
[31]
S. Pauletto et al., "Connecting sound design future with historical creative practices : developing digital tools by modelling historical sound effects," in Proceedings Forum Acusticum 2023 - 10th Convention of the European Acoustics Association, EAA 2023, 2023.
[32]
P. Jääskeläinen, "Environmental Ethics of Creative-AI: Shifting from Modernist Rationality to Entangled, More-than-Human Felt Care," in Creativity Unleashed - What Creative Technologies Would, Could, and Shouldn’t be, 2023.
[33]
A.-K. Kaila, P. Jääskeläinen and A. Holzapfel, "Ethically Aligned Stakeholder Elicitation (EASE) : Case Study in Music-AI," in NIME, 2023.
[34]
P. Jääskeläinen, "Explainable Sustainability for AI in the Arts," in The 1st International Workshop on Explainable AI for the Arts, ACM Creativity and Cognition Conference, 2023, 2023.
[35]
A.-K. Kaila, J. Petra and A. Holzapfel, "Explorations with Ethically Aligned Stakeholder Analysis (EASE)," in GenerativeAIandHCI.github.io, 2023.
[36]
P. Jääskeläinen, "Generative AI for First-Person Meta Reflection in Design Research : More-than-Human Storying the Ecologies of AI Arts," in Towards a Design (Research) Framework with Generative AI, 2023.
[37]
V. Madaghiele, A. D. Demir and S. Pauletto, "Heat-sensitive sonic textiles : fostering awareness of the energy we save by wearing warm fabrics," in SMC 2023 : Proceedings of the Sound and Music Computing Conference 2023, 2023, pp. 395-402.
[38]
V. Madaghiele, D. Demir and S. Pauletto, "Heat-sensitive sonic textiles: increasing awareness of the energy we save by wearing warm fabrics," in Sound and Music Computing Conference, 2023.
[40]
A. Holzapfel, "Introducing Political Ecology of Creative-Ai," in Handbook of Critical Studies of Artificial Intelligence, Simon Lindgren Ed., Cheltenham, United Kingdom : Edward Elgar Publishing, 2023.
[41]
D. Holzer, L. Aron and A. Holzapfel, "Laser Phase Synthesis," in New Interfaces for Musical Expression conference (NIME), 2023.
[42]
P. Jääskeläinen, "On Creative-AI, Imaginaries, and Sustainability," in Shaping the Future : Sustainability and Technology at the Crossroads of Arts and Science, Harald Pechlaner, Michael de Rachewiltz, Maximilian Walder, Elisa Innerhofer Ed., : Eurac Research Center for Advanced Studies, Graffeg, 2023.
[43]
A. Clemente, A. Friberg and A. Holzapfel, "Relations between perceived affect and liking for melodies and visual designs.," Emotion, vol. 23, no. 6, pp. 1584-1605, 2023.
[44]
S. Pauletto et al., "Sonifying energy consumption using SpecSinGAN," in Proceedings of the Sound and Music ComputingConference 2023, 2023.
[45]
P. Jääskeläinen, "Speculation and Fiction in Exploring Values and Ethics in Creative-AI Technologies," in Disruptive Imaginations -- Joint Annual Conference of Science Fiction Research Association (SFRA) and Gesellschaft für Fantastikforschung (GfF), 2023.
[46]
N. Misdariis et al., "The Audible Universe Workshop: an Interdisciplinary Approach to the Design and Evaluation of Tools for Astronomical Data Sonification," in 28th International Conference on Auditory Displays (ICAD 2023) - Sonification for the Masses, Norrköping, Sweden, 26–30 June 2023, 2023.
[47]
Y. Deng, P. Jääskeläinen and V. Popova, "The Green Notebook - A Co-Creativity Partner for Facilitating Sustainability Reflection in AI Art Practises," in IMX 2023 - Proceedings of the 2023 ACM International Conference on Interactive Media Experiences, 2023, pp. 262-268.
[48]
Y. Seznec et al., "The Sound of the Future Home Workshop : Ideating Sonic Prototypes for Sustainable Energy Consumption," in 18th International Audio Mostly Conference, AM 2023, Edinburgh, United Kingdom of Great Britain and Northern Ireland, Aug 30 2023 - Sep 1 2023, 2023, pp. 101-108.
[49]
A. Holzapfel, P. Jääskeläinen and A.-K. Kaila, "Environmental and Social Sustainability of Creative-Ai," in GenAICHI Generative AI and CHI wokshop - ACM CHI 2022, 2022.
[50]
F. Keenan and S. Pauletto, "Evaluating a Sonic Interaction Design Based on a Historic Theatre Sound Effect," International journal of human-computer studies, vol. 164, 2022.
Full list in the KTH publications portal