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Gender and Technology course – featuring the student posters about trouble with gender biases in technology

Did you know that AI generated photos depict women in a more sexualized manner than their male counterparts? Or that KTH’s own learning platform Canvas should include queer inclusive pronouns? Have you heard about the pill for men and why it has been a long time in the making? And did you know that some scientific fieldwork is only accessible for certain groups of people?

Those timely and thought provoking topics were addressed by the students in this terms poster presentation session in the Gender and Technology course. Click on each picture below to get a full size readable PDF!

Check out the poster ‘Digital Space – Whose Representation’. The group analyzed queer technology in our society, specifically in online identities and used Canvas and Linkedin as examples. This poster has some real world impact because it addresses KTH’s learning platform. The students are invited to talk about their results concerning CANVAS in the ABE schools working group for gender equality, diversity and equal treatment issues (JML).

The poster ‘Gender and Medicine – Female Contraception’ addresses the injustice women have faced in the medical world. The students found that contraceptive research and testing has been dismissive of female health struggles, while male contraceptives are tested more rigorously and introduced with great caution.

‘AI Generated images’ addresses the biases that are embedded in algorithms used by AI technology. The students found that AI generated images of male and female avatars are sexist. They discovered that with the same prompt female avatars showed more skin while male avatars were depicted as astronauts or scientists.

Another student group worked with ‘Intersectionality and fieldwork’ asking how fieldwork could be adapted to become more inclusive. The students suggested some remedies, like using remote sensing technology for observation in the field and introducing code of conducts to improve the working environment during fieldwork.

‘Artificial intelligence and data feminism’ discusses how algorithm developers can become more aware of their own biases in order to counter-act discriminatory gender representation on the internet. They group found some possible solutions to counter-act invisible biases by increasing transparency and participation in developing AI algorithms.

I hope that those posters are food for thought, for not only the Gender & Technology class of 2023, but all students and employees at KTH who are interested in promoting and maintaining are more inclusive, open and nurturing learning environment for all of us.

A special thanks to the students of the Gender & Technology class of 2023.

Profile picture of Tirza MeyerAuthor Tirza Meyer, course responsible teacher for Gender & Technology, 2023.

Digitising Education – A Reflection

Our division is engaged in multiple forms of teaching. This did not change during the pandemic. The new reality, dominated by working from home and thus increasingly online, forced us to find new ways of teaching.

It was paramount to keep the same level of quality while moving whole courses online and dealing with the restrictions, such digitised interactions entail. By transferring courses online, which usually would include a mixture of lectures, small-group seminars and excursions, many challenges came up.

First of all, we needed to ensure that basic functions of our courses could be established online and that the continuation of our students’ education was ensured. During the first months of the pandemic, this was based a lot on improvisation and on an extensive usage of already existing infrastructure, such as Canvas, the course web and, especially, tons of emails. Luckily, IT-support made Zoom very quickly available. The initial transition happened surprisingly smooth.

Schüler, Eingabe, Tastatur, Text, Frau, Start, Geschäft

But, as the saying goes, at every level there is another devil: problems occurred, while time progressed and experiences in online teaching added up. How can you ensure that your students can learn in the best way possible if you lose to a big extent the direct contact with them? How can you keep concentration and interest levels high if zoom-fatigued individuals challenged with all kinds of non-education related issues were under more and more pressure? How could you, as a teacher or course administrator, deal with the unplanned extra work resulting from unforeseen additional tasks?

These were only some questions which came up during the last year. Our division was able to develop some strategies to cope and thus fared fairly well during this time. To communicate and discuss our experiences, four scholars of our division have taken part in this year’s KTH SoTL: Learning Spaces Conference. The following is a short report on their panel.

Decorative: KTH SOTL Logo, KTH SoTL 2021: Learning Spaces

Per Högselius (head of undergraduate teaching), Kati Lindström (course responsible in Energy Systems in Society and in History of Science and Technology, teacher in Perspectives on Science, Technology and Landscape in Time and Space), Katarina Larsen (Course responsible in Swedish Society and teacher in Gender and Technology) and Siegfried Evens (course coordinator in Swedish Society, Culture and Industry in Historical Perspective and teacher in Energy Systems in Society) presented together our experiences at the division.

Per began with an overview over our various courses we offered during the last year. It was a broad range, reaching from Swedish perspectives on progress, industrialisation and system-approaches, over energy and geopolitics, to political ecology, science fiction and gender in technology.

Kati followed with small meta-studies on our e-learning performance. One critical point was here the usage of Canvas, which as a course administrating tool, had maybe outlived itself in the current circumstances. It became important to use as much diversity as possible, by including audio, video, standard presentations and possibilities for interaction as well as discussions among the students. It became also clear that students were highly versed in digital tools but not necessarily in the humanities’ ways of reading and writing texts. This discrepancy needed to be bridged by teachers and used technology. There were already a lot of tools being used, some of which were Mentimeter, Kahoot and Padlet.

Katarina continued with introducing two innovative ways in teaching. One was the distance teaching walk done with small groups of students as replacement for a regularly scheduled excursion and the other a specific mapping exercise linked to this walk done in Nearpod. By working in our Swedish Society Course, Katarina introduced this new form of excursion by building upon smartphones’ ability to using geographic locating devices. In this way, students could walk across the area of Liljeholmen and get specific tasks and information at respective locations. Later on during the seminar, students could then draw their ideas for improved urban planning in this area on a map presented in Nearpod. Thus it was possible for students to experience this excursion and an important part of the course, even though big-group excursions had to be cancelled. It was on the outside and student groups did not exceed about 5 people at a time.

Siegfried rounded up the panel with the presentation of the interactive teaching tool Nearpod. This tool, which he introduced in our Swedish Society Course first, enables teachers and students to interact with each other during a presentation. In this way, the limitations of power point are easily overcome. We only got positive feedback from our students on this, so Siegfried went along and showed our experiences to colleagues from other schools. From my personal experience, Nearpod was very important in diversifying our ability as teachers in engaging with the students digitally. Its use should therefore be promoted.

In total, this panel was successful in showing innovative ways on how to improve our digitised forms of teaching. At this stage, it is important to have an ongoing dialogue with other departments to exchange ideas and reflections. This panel has been a great start for that. As the pandemic continues, digital teaching will stay with us. When eventually real-life teaching will become practice again, the experiences we are collecting right now will turn out very useful in the future. I am sure they will transform contemporary forms of teaching even in a long, and hopefully pandemic-free, perspective.

By Achim Klüppelberg

Experiences in Digital Teaching

Covid-19 has profoundly changed the way we work as scholars of the humanities. Teaching is no exception to this. The digitisation of university education was abruptly maximised and teachers were to a big extent forced to adapt to the new reality of online teaching on their own.

Kati Lindström has written about her experiences during the autumn term. She is a researcher with a lot of know-how both in teaching in general and in digital education in particular. In her opinion, the systems we use can be majorly improved. Canvas as a teaching platform is limited under these new conditions and needs a drastic makeover or at least generous supplementation to make education more efficient. As a result of inefficient software, teachers need to spend a lot of time on tedious clicking-work, which easily could be made obsolete. During the last term, this got out of hand.

The stress, which is put upon teachers, manifests in different forms. For Kati, it took the form of severe arm pain, which under the given circumstances is hard to mitigate. Therefore, the question needs to be asked:

A computer mouse, being used by a hand. A keyboard, pen, headphones and a mug are standing left of it. The picture is kept in black and white.

What can we improve in the field of digital education during the upcoming terms?

In the face of the surging Covid-19 pandemic, we will most likely not be able to go back to normal any time soon. So if we have to do online teaching to this extent for the foreseeable future, it should be in the interest of everyone to enable the conduction of education within the boundaries of (professional) sustainability.

Please check out the original blog post by Kati Lindström here. The link directs you to Kati’s home page.

 

Teaching the film ONE TABLE TWO ELEPHANTS: A resource for online teaching about postcolonial ecologies and Southern urbanism

by Jacob von Heland and Henrik Ernstson, Co-directors of The Situated Ecologies Platform

We have made the film One Table Two Elephants (84 min, 2018) free for use and remixing, except for commercial purposes (CC-BY-NC). This website on our Situated Ecologies Platform provides a link to the full film as well as educational resources, key references, questions for students and reviews, and notes on cinematic ethnography and our trilogy of films on postcolonial ecologies. The website will be updated continuously with new materials as we ourselves—and hopefully you—share your teaching experiences with the film.

Filmed in Cape Town, One Table Two Elephants provides a textured and nuanced account of knowledge politics in a postcolonial city, which we have found translates well to many other places. It opens up important questions about nature, urbanization, class, race and the living remains of colonialism. The film deliberately does not tell an easy story, because that is now how things are. Instead we trust the audience to engage and make up their minds and feelings, reading it in diverse ways to engage with one another. Many students have found it intriguing and engaging.

We also believe the film can assist in developing ONLINE TEACHING in these times of COVID19. The film will suit the use of a “flipped classroom,” allowing students to watch the whole or parts of the film before class and read one or two texts, which we have suggested. This preparation provides conditions for a rich discussion. However, there are various other ways of using the film in teaching and learning and we hope you will share with us your teaching experience, either through an email to us, or by posting on social media with the following hashtag: #Teaching1T2E .

We especially thank Paul Munro and Jim Igoe for using the film in their courses on Political Ecology and Indigenous Landscapes/Anthropology, respectively. We also like to thank Sachiko Ishihara, Asma Mehan and Ruben Hordijk for engaging critically with the film in their own course work. We have learnt from these scholars and students.

LINK to #Teaching1T2E: http://www.situatedecologies.net/one-table-two-elephants.

About the film: One Table Two Elephants (84 min, CPH:DOX, 2018) is a cinematic ethnography created by Jacob von Heland and Henrik Ernstson that deals with race, nature and knowledge politics in the postcolonial city (Official trailer). The film has been nominated to several prizes and screened at film festivals in Copenhagen, Cape Town, Tirana, Nijmegen and Stockholm.

Accolades:

Scholarly reference:

  • Heland, Jacob von, and Henrik Ernstson. 2018. One Table Two Elephants (84 minutes, cinematic ethnography, Color, HD, Dolby 5:1). World Premiere in Competition at CPH:DOX 2018, March 20. Published by The Situated Ecologies Platform (CC-BY-NC) at this fixed URL: bit.ly/1T2Ethefilm