Class information for: |
Basic class information |
Class id | #P | Avg. number of references |
Database coverage of references |
---|---|---|---|
4063 | 616 | 34.4 | 8% |
Hierarchy of classes |
The table includes all classes above and classes immediately below the current class. |
Cluster id | Level | Cluster label | #P |
---|---|---|---|
1 | 4 | ECONOMICS//EDUCATION & EDUCATIONAL RESEARCH//PSYCHOL | 3876184 |
248 | 3 | LITERATURE//LITERATURE, AMERICAN//LITERATURE, AFRICAN, AUSTRALIAN, CANADIAN | 46730 |
4063 | 2 | KAMILA SHAMSIE//FILM AESTHET STUDIES//STAND UP COMEDY | 616 |
31149 | 1 | STAND UP COMEDY//1940S HOLLYWOOD FILM//AFFECTIVE CULTURAL ASSEMBLAGE | 157 |
32552 | 1 | 1 CORINTHIANS 7//1 PETER 3//2011 NORWAY ATTACKS | 137 |
33715 | 1 | 17TH CENTURY PHILOSOPHY//ABOLITION OF WAR//ART VISUAL CULTU | 121 |
33868 | 1 | KAMILA SHAMSIE//1971 CIVIL WAR//ALGORITHMIC CONTROL OF NARRATIVE | 119 |
36351 | 1 | ANTONIO DE HEBRERA//CAROLINE BERGVALL//EXOPHONIC WRITING | 82 |
Terms with highest relevance score |
rank | Term | termType | Chi square | Shr. of publ. in class containing term |
Class's shr. of term's tot. occurrences |
#P with term in class |
---|---|---|---|---|---|---|
1 | KAMILA SHAMSIE | authKW | 111529 | 0% | 75% | 3 |
2 | FILM AESTHET STUDIES | address | 99138 | 0% | 100% | 2 |
3 | STAND UP COMEDY | authKW | 59003 | 1% | 24% | 5 |
4 | 1 CORINTHIANS 7 | authKW | 49569 | 0% | 100% | 1 |
5 | 1 PETER 3 | authKW | 49569 | 0% | 100% | 1 |
6 | 17TH CENTURY PHILOSOPHY | authKW | 49569 | 0% | 100% | 1 |
7 | 1940S HOLLYWOOD FILM | authKW | 49569 | 0% | 100% | 1 |
8 | 1971 CIVIL WAR | authKW | 49569 | 0% | 100% | 1 |
9 | 2011 NORWAY ATTACKS | authKW | 49569 | 0% | 100% | 1 |
10 | ABOLITION OF WAR | authKW | 49569 | 0% | 100% | 1 |
Web of Science journal categories |
Rank | Term | Chi square | Shr. of publ. in class containing term |
Class's shr. of term's tot. occurrences |
#P with term in class |
---|---|---|---|---|---|
1 | Film, Radio, Television | 27370 | 10% | 1% | 64 |
2 | Theater | 8116 | 6% | 0% | 36 |
3 | Cultural Studies | 5818 | 7% | 0% | 41 |
4 | Literature | 5764 | 13% | 0% | 82 |
5 | Art | 3851 | 7% | 0% | 43 |
6 | Literature, German, German, Scandinavian | 3211 | 3% | 0% | 21 |
7 | Literary Reviews | 2740 | 4% | 0% | 22 |
8 | Humanities, Multidisciplinary | 2715 | 8% | 0% | 48 |
9 | Literature, Romance | 2672 | 5% | 0% | 30 |
10 | Literary Theory & Criticism | 2365 | 3% | 0% | 20 |
Address terms |
Rank | Term | Chi square | Shr. of publ. in class containing term |
Class's shr. of term's tot. occurrences |
#P with term in class |
---|---|---|---|---|---|
1 | FILM AESTHET STUDIES | 99138 | 0% | 100% | 2 |
2 | ART VISUAL CULTU | 49569 | 0% | 100% | 1 |
3 | BIOGR HY SOCIAL POLICY | 49569 | 0% | 100% | 1 |
4 | CULTURAL MANAGEMENT CULTURAL STUDIES | 49569 | 0% | 100% | 1 |
5 | DIGITAL COMPUTAT STUDIES INITIAT | 49569 | 0% | 100% | 1 |
6 | DPET ENGLISH COMUN | 49569 | 0% | 100% | 1 |
7 | EDDA EXCELLENCE CRIT CONTEMPORARY | 49569 | 0% | 100% | 1 |
8 | FAREL | 49569 | 0% | 100% | 1 |
9 | FRENCH CONTEMPORARY LITERATURE | 49569 | 0% | 100% | 1 |
10 | JOHN ATT VISUAL ARTS | 49569 | 0% | 100% | 1 |
Journals |
Rank | Term | Chi square | Shr. of publ. in class containing term |
Class's shr. of term's tot. occurrences |
#P with term in class |
---|---|---|---|---|---|
1 | CAMERA OBSCURA | 20519 | 2% | 4% | 11 |
2 | OCTOBER | 19516 | 2% | 4% | 11 |
3 | NEOTESTAMENTICA | 18876 | 1% | 10% | 4 |
4 | GOETHE JAHRBUCH | 17558 | 2% | 4% | 10 |
5 | TDR-THE DRAMA REVIEW-THE JOURNAL OF PERFORMANCE STUDIES | 11261 | 1% | 3% | 9 |
6 | CINEMA JOURNAL | 9876 | 2% | 2% | 11 |
7 | THIRD TEXT | 9480 | 1% | 3% | 6 |
8 | ARTFORUM INTERNATIONAL | 7961 | 0% | 5% | 3 |
9 | QUARTERLY REVIEW OF FILM AND VIDEO | 6547 | 1% | 3% | 4 |
10 | GLQ-A JOURNAL OF LESBIAN AND GAY STUDIES | 6262 | 1% | 2% | 7 |
Author Key Words |
Rank | Term | Chi square | Shr. of publ. in class containing term |
Class's shr. of term's tot. occurrences |
#P with term in class |
LCSH search | Wikipedia search |
---|---|---|---|---|---|---|---|
1 | KAMILA SHAMSIE | 111529 | 0% | 75% | 3 | Search KAMILA+SHAMSIE | Search KAMILA+SHAMSIE |
2 | STAND UP COMEDY | 59003 | 1% | 24% | 5 | Search STAND+UP+COMEDY | Search STAND+UP+COMEDY |
3 | 1 CORINTHIANS 7 | 49569 | 0% | 100% | 1 | Search 1+CORINTHIANS+7 | Search 1+CORINTHIANS+7 |
4 | 1 PETER 3 | 49569 | 0% | 100% | 1 | Search 1+PETER+3 | Search 1+PETER+3 |
5 | 17TH CENTURY PHILOSOPHY | 49569 | 0% | 100% | 1 | Search 17TH+CENTURY+PHILOSOPHY | Search 17TH+CENTURY+PHILOSOPHY |
6 | 1940S HOLLYWOOD FILM | 49569 | 0% | 100% | 1 | Search 1940S+HOLLYWOOD+FILM | Search 1940S+HOLLYWOOD+FILM |
7 | 1971 CIVIL WAR | 49569 | 0% | 100% | 1 | Search 1971+CIVIL+WAR | Search 1971+CIVIL+WAR |
8 | 2011 NORWAY ATTACKS | 49569 | 0% | 100% | 1 | Search 2011+NORWAY+ATTACKS | Search 2011+NORWAY+ATTACKS |
9 | ABOLITION OF WAR | 49569 | 0% | 100% | 1 | Search ABOLITION+OF+WAR | Search ABOLITION+OF+WAR |
10 | ACADEMIC DISSENT | 49569 | 0% | 100% | 1 | Search ACADEMIC+DISSENT | Search ACADEMIC+DISSENT |
Core articles |
The table includes core articles in the class. The following variables is taken into account for the relevance score of an article in a cluster c: (1) Number of references referring to publications in the class. (2) Share of total number of active references referring to publications in the class. (3) Age of the article. New articles get higher score than old articles. (4) Citation rate, normalized to year. |
Rank | Reference | # ref. in cl. |
Shr. of ref. in cl. |
Citations |
---|---|---|---|---|
1 | WARREN, S , (2016) THE MYSTERIES OF VOICE: LOVE AND TRANSNATIONAL IDENTIFICATION IN PERFORMING THE BORDER, THE PRICE OF SEX, AND SENORITA EXTRAVIADA.CAMERA OBSCURA. VOL. . ISSUE 92. P. 119 -148 | 7 | 88% | 0 |
2 | MAULE, R , (2016) MOBILIZING WOMEN PLUS 'S ART: BILDWECHSEL, A GLOBAL ARCHIVE.EUROPEAN JOURNAL OF WOMENS STUDIES. VOL. 23. ISSUE 4. P. 381 -400 | 6 | 86% | 0 |
3 | POUILLAUDE, F , (2016) DANCE AS DOCUMENTARY: CONFLICTUAL IMAGES IN THE CHOREOGRAPHIC MIRROR (ON ARCHIVE BY ARKADI ZAIDES).DANCE RESEARCH JOURNAL. VOL. 48. ISSUE 2. P. 80 -94 | 4 | 100% | 0 |
4 | HARKER, B , (2016) JACK LINDSAY'S ALIENATION.HISTORY WORKSHOP JOURNAL. VOL. . ISSUE 82. P. 83 -103 | 4 | 100% | 0 |
5 | ZAPPERI, G , (2013) WOMAN'S REAPPEARANCE: RETHINKING THE ARCHIVE IN CONTEMPORARY ART-FEMINIST PERSPECTIVES.FEMINIST REVIEW. VOL. . ISSUE 105. P. 21-47 | 4 | 100% | 1 |
6 | DEMBECK, T , (2013) "NO PASARAN" - POETRY, POLITICS OF CULTURE AND LANGUAGE DIFFERENCES IN THE WORK OF T. S. ELIOT, PAUL CELAN AND ROLF DIETER BRINKMANN.ARCADIA. VOL. 48. ISSUE 1. P. 1 -41 | 4 | 100% | 0 |
7 | HORNE, V , (2015) KATE DAVIS: RE-VISIONING ART HISTORY AFTER MODERNISM AND POSTMODERNISM.FEMINIST REVIEW. VOL. . ISSUE 110. P. 34 -54 | 7 | 54% | 0 |
8 | SHRYOCK, A , (2012) BREAKING HOSPITALITY APART: BAD HOSTS, BAD GUESTS, AND THE PROBLEM OF SOVEREIGNTY.JOURNAL OF THE ROYAL ANTHROPOLOGICAL INSTITUTE. VOL. 18. ISSUE . P. S20-S33 | 4 | 100% | 1 |
9 | ADLER, D , (2016) THE APPARATUS: ON THE PHOTOGRAPHY OF THOMAS RUFF.ART JOURNAL. VOL. 75. ISSUE 2. P. 66 -87 | 5 | 71% | 0 |
10 | LASHERAS, AP , (2007) SPANISH LITERATURE IN GRACIAN'S 'AGUDEZA'.BULLETIN HISPANIQUE. VOL. 109. ISSUE 2. P. 545-587 | 5 | 83% | 1 |
Classes with closest relation at Level 2 |