Class information for: |
Basic class information |
Class id | #P | Avg. number of references |
Database coverage of references |
---|---|---|---|
1668 | 6837 | 52.2 | 4% |
Hierarchy of classes |
The table includes all classes above and classes immediately below the current class. |
Terms with highest relevance score |
rank | Term | termType | Chi square | Shr. of publ. in class containing term |
Class's shr. of term's tot. occurrences |
#P with term in class |
---|---|---|---|---|---|---|
1 | ART | WoSSC | 3006539 | 58% | 17% | 3964 |
2 | BURLINGTON MAGAZINE | journal | 1296978 | 9% | 49% | 595 |
3 | PROSPETTIVA-RIVISTA DI STORIA DELL ARTE ANTICA E MODERNA | journal | 769427 | 4% | 64% | 271 |
4 | MITTEILUNGEN DES KUNSTHISTORISCHEN INSTITUTES IN FLORENZ | journal | 680851 | 3% | 68% | 223 |
5 | STORIA DELL ARTE | journal | 662281 | 3% | 72% | 206 |
6 | STUDI SECENTESCHI | journal | 450004 | 2% | 71% | 142 |
7 | OUD HOLLAND | journal | 422832 | 2% | 65% | 146 |
8 | MASTER DRAWINGS | journal | 407319 | 2% | 57% | 161 |
9 | ZEITSCHRIFT FUR KUNSTGESCHICHTE | journal | 406423 | 3% | 41% | 222 |
10 | SOURCE-NOTES IN THE HISTORY OF ART | journal | 347253 | 3% | 44% | 176 |
Web of Science journal categories |
Rank | Term | Chi square | Shr. of publ. in class containing term |
Class's shr. of term's tot. occurrences |
#P with term in class |
---|---|---|---|---|---|
1 | Art | 3006539 | 58% | 17% | 3964 |
2 | Medieval & Renaissance Studies | 78225 | 7% | 4% | 461 |
3 | Humanities, Multidisciplinary | 37979 | 9% | 1% | 597 |
4 | Architecture | 27106 | 3% | 3% | 215 |
5 | Literature, Romance | 18680 | 4% | 2% | 265 |
6 | History | 14905 | 9% | 1% | 588 |
7 | Literature | 1869 | 2% | 0% | 166 |
8 | Literature, German, German, Scandinavian | 1257 | 1% | 1% | 45 |
9 | Religion | 1104 | 2% | 0% | 116 |
10 | Classics | 716 | 1% | 0% | 57 |
Address terms |
Rank | Term | Chi square | Shr. of publ. in class containing term |
Class's shr. of term's tot. occurrences |
#P with term in class |
---|---|---|---|---|---|
1 | ART HIST | 56748 | 1% | 14% | 92 |
2 | HIST ART | 31128 | 1% | 16% | 44 |
3 | DRAWINGS PRINTS | 18223 | 0% | 58% | 7 |
4 | KUNSTHIST | 16798 | 0% | 47% | 8 |
5 | CHAR | 14284 | 0% | 80% | 4 |
6 | ARTS GR H | 13947 | 0% | 63% | 5 |
7 | BIBL EXEGESIS | 10201 | 0% | 57% | 4 |
8 | DRAWINGS | 10043 | 0% | 75% | 3 |
9 | SCULPTURE DECORAT ARTS | 10043 | 0% | 75% | 3 |
10 | COURTAULD ART | 10025 | 0% | 19% | 12 |
Journals |
Rank | Term | Chi square | Shr. of publ. in class containing term |
Class's shr. of term's tot. occurrences |
#P with term in class |
---|---|---|---|---|---|
1 | BURLINGTON MAGAZINE | 1296978 | 9% | 49% | 595 |
2 | PROSPETTIVA-RIVISTA DI STORIA DELL ARTE ANTICA E MODERNA | 769427 | 4% | 64% | 271 |
3 | MITTEILUNGEN DES KUNSTHISTORISCHEN INSTITUTES IN FLORENZ | 680851 | 3% | 68% | 223 |
4 | STORIA DELL ARTE | 662281 | 3% | 72% | 206 |
5 | STUDI SECENTESCHI | 450004 | 2% | 71% | 142 |
6 | OUD HOLLAND | 422832 | 2% | 65% | 146 |
7 | MASTER DRAWINGS | 407319 | 2% | 57% | 161 |
8 | ZEITSCHRIFT FUR KUNSTGESCHICHTE | 406423 | 3% | 41% | 222 |
9 | SOURCE-NOTES IN THE HISTORY OF ART | 347253 | 3% | 44% | 176 |
10 | SIMIOLUS-NETHERLANDS QUARTERLY FOR THE HISTORY OF ART | 341150 | 2% | 60% | 127 |
Author Key Words |
Rank | Term | Chi square | Shr. of publ. in class containing term |
Class's shr. of term's tot. occurrences |
#P with term in class |
LCSH search | Wikipedia search |
---|---|---|---|---|---|---|---|
1 | BERNINI | 13393 | 0% | 100% | 3 | Search BERNINI | Search BERNINI |
2 | IMMACULATE CONCEPTION | 10201 | 0% | 57% | 4 | Search IMMACULATE+CONCEPTION | Search IMMACULATE+CONCEPTION |
3 | HYPNEROTOMACHIA POLIPHILI | 10043 | 0% | 75% | 3 | Search HYPNEROTOMACHIA+POLIPHILI | Search HYPNEROTOMACHIA+POLIPHILI |
4 | STONECUTTING | 10043 | 0% | 75% | 3 | Search STONECUTTING | Search STONECUTTING |
5 | ALFONSO OF ARAGON | 8929 | 0% | 100% | 2 | Search ALFONSO+OF+ARAGON | Search ALFONSO+OF+ARAGON |
6 | ANIMALS IN ANTIQUITY | 8929 | 0% | 100% | 2 | Search ANIMALS+IN+ANTIQUITY | Search ANIMALS+IN+ANTIQUITY |
7 | ARCHITECTS CUBIT | 8929 | 0% | 100% | 2 | Search ARCHITECTS+CUBIT | Search ARCHITECTS+CUBIT |
8 | COMPLETE SPHERICAL SHELL | 8929 | 0% | 100% | 2 | Search COMPLETE+SPHERICAL+SHELL | Search COMPLETE+SPHERICAL+SHELL |
9 | EARLY OPERA PRODUCTION | 8929 | 0% | 100% | 2 | Search EARLY+OPERA+PRODUCTION | Search EARLY+OPERA+PRODUCTION |
10 | FULL SCALE TRACINGS | 8929 | 0% | 100% | 2 | Search FULL+SCALE+TRACINGS | Search FULL+SCALE+TRACINGS |
Core articles |
The table includes core articles in the class. The following variables is taken into account for the relevance score of an article in a cluster c: (1) Number of references referring to publications in the class. (2) Share of total number of active references referring to publications in the class. (3) Age of the article. New articles get higher score than old articles. (4) Citation rate, normalized to year. |
Rank | Reference | # ref. in cl. |
Shr. of ref. in cl. |
Citations |
---|---|---|---|---|
1 | PREAUD, M , (2009) 17(TH) CENTURY PRINTS IN FRANCE THIRTY YEARS OF RESEARCH.PERSPECTIVE-LA REVUE DE L INHA. VOL. . ISSUE 3. P. 357 -+ | 20 | 100% | 0 |
2 | WESTERMANN, M , (2002) AFTER ICONOGRAPHY AND ICONOCLASM: CURRENT RESEARCH IN NETHERLANDISH ART, 1566-1700.ART BULLETIN. VOL. 84. ISSUE 2. P. 351 -372 | 24 | 86% | 6 |
3 | WESTERMANN, M , (2010) BACK TO BASICS: REMBRANDT AND THE EMERGENCE OF MODERN PAINTING.PERSPECTIVE-LA REVUE DE L INHA. VOL. . ISSUE 4. P. 723 -747 | 15 | 100% | 0 |
4 | CALENNE, L , (2011) IN THE SIGN OF HARPOCRATES AND PRUDENCE: THE CONTIGUITY ISSUES BETWEEN THE WRITINGS OF GIROLAMO ALEANDRO THE YOUNG, THE FLORAL ALLEGORIES OF ANDREA LILLI AND THE ICONOGRAPHIC PROGRAM OF THE PICTORIAL CYCLE OF PALAZZETTO MATTEI IN VILLA CELIMONTANA.STUDI ROMANI. VOL. 59. ISSUE 1-4. P. 128-198 | 15 | 88% | 0 |
5 | O'BRIEN, A , (2013) "MASTERS OF SOME MIXED ARTS AND OF TALENT " ARTISTS AND ARTISANDS IN THE COMPANY OF THE BAREFOOT.MITTEILUNGEN DES KUNSTHISTORISCHEN INSTITUTES IN FLORENZ. VOL. 55. ISSUE 3. P. 359-434 | 13 | 93% | 0 |
6 | WESTERMANN, M , (2011) BACK TO BASICS: REMBRANDT AND THE EMERGENCE OF MODERN PAINTING.PERSPECTIVE-LA REVUE DE L INHA. VOL. . ISSUE 2. P. 722-746 | 12 | 100% | 0 |
7 | SENSI, C , (1997) LYRIC POETRY: AN INVENTORY, PART 1, MARINO, THE ARTFUL PRINCE.DIX-SEPTIEME SIECLE. VOL. . ISSUE 197. P. 677 -713 | 20 | 87% | 0 |
8 | CASSIDY, B , (2012) ARTISTS AND DIPLOMACY IN LATE MEDIEVAL TUSCANY: THE CASE OF GIOTTO, SIMONE MARTINI, ANDREA PISANO, AND OTHERS.GESTA-INTERNATIONAL CENTER OF MEDIEVAL ART. VOL. 51. ISSUE 2. P. 91 -110 | 11 | 100% | 0 |
9 | CALVILLO, E , (2013) AUTHORITATIVE COPIES AND DIVINE ORIGINALS: LUCRETIAN METAPHOR, PAINTING ON STONE, AND THE PROBLEM OF ORIGINALITY IN MICHELANGELO'S ROME.RENAISSANCE QUARTERLY. VOL. 66. ISSUE 2. P. 453-508 | 14 | 74% | 2 |
10 | KOZLOWSKI, SK , (2015) CIRCULATION, CONVERGENCE, AND THE WORLDS OF TRECENTO PANEL PAINTING: SIMONE MARTINI IN NAPLES.ZEITSCHRIFT FUR KUNSTGESCHICHTE. VOL. 78. ISSUE 2. P. 205 -+ | 12 | 80% | 2 |
Classes with closest relation at Level 2 |