Class information for: |
Basic class information |
Class id | #P | Avg. number of references |
Database coverage of references |
---|---|---|---|
34619 | 109 | 34.1 | 10% |
Hierarchy of classes |
The table includes all classes above and classes immediately below the current class. |
Cluster id | Level | Cluster label | #P |
---|---|---|---|
1 | 4 | ECONOMICS//EDUCATION & EDUCATIONAL RESEARCH//PSYCHOL | 3876184 |
709 | 3 | THEATER//MONUMENTA NIPPONICA//ASIAN STUDIES | 5930 |
3310 | 2 | THEATER//MODERN DRAMA//CONTEMPORARY THEATRE REVIEW | 1839 |
34619 | 1 | THE ERASED//ANNA NICOLE SMITH//BODY AND CULTURAL CAPITAL | 109 |
Terms with highest relevance score |
rank | Term | termType | Chi square | Shr. of publ. in class containing term |
Class's shr. of term's tot. occurrences |
#P with term in class |
---|---|---|---|---|---|---|
1 | THE ERASED | authKW | 840430 | 3% | 100% | 3 |
2 | ANNA NICOLE SMITH | authKW | 280143 | 1% | 100% | 1 |
3 | BODY AND CULTURAL CAPITAL | authKW | 280143 | 1% | 100% | 1 |
4 | CHRISTOPH SCHLINGENSIEF | authKW | 280143 | 1% | 100% | 1 |
5 | DANCE AUDIENCE | authKW | 280143 | 1% | 100% | 1 |
6 | DIGITAL NETWORKED TECHNOLOGIES | authKW | 280143 | 1% | 100% | 1 |
7 | EASTERN EUROPEAN THEATRE | authKW | 280143 | 1% | 100% | 1 |
8 | EMANCIPATED MODES OF SPECTATORSHIP | authKW | 280143 | 1% | 100% | 1 |
9 | EU PROTECTION LEGISLATION | authKW | 280143 | 1% | 100% | 1 |
10 | EU PROTECTION MECHANISM | authKW | 280143 | 1% | 100% | 1 |
Web of Science journal categories |
Rank | Term | Chi square | Shr. of publ. in class containing term |
Class's shr. of term's tot. occurrences |
#P with term in class |
---|---|---|---|---|---|
1 | Theater | 48807 | 34% | 0% | 37 |
2 | Cultural Studies | 3859 | 13% | 0% | 14 |
3 | Dance | 3190 | 3% | 0% | 3 |
4 | Humanities, Multidisciplinary | 2197 | 17% | 0% | 18 |
5 | Women’s Studies | 245 | 5% | 0% | 5 |
6 | Anthropology | 235 | 7% | 0% | 8 |
7 | Music | 210 | 4% | 0% | 4 |
8 | Film, Radio, Television | 148 | 2% | 0% | 2 |
9 | Literary Theory & Criticism | 132 | 2% | 0% | 2 |
10 | Literature | 115 | 5% | 0% | 5 |
Address terms |
Rank | Term | Chi square | Shr. of publ. in class containing term |
Class's shr. of term's tot. occurrences |
#P with term in class |
---|---|---|---|---|---|
1 | OFF HIGH COMMISSIONER HUMAN RIGHTS | 280143 | 1% | 100% | 1 |
2 | SIMONE BEAUVOIR | 46689 | 1% | 17% | 1 |
3 | GENDER STUDIES SOCIAL ANAL | 35016 | 1% | 13% | 1 |
4 | GENDER SEXUAL WOMENS STUDIES | 21548 | 1% | 8% | 1 |
5 | CONTEMPORARY ARTS | 14742 | 1% | 5% | 1 |
6 | CULTURAL STUDIES PROGRAM | 10374 | 1% | 4% | 1 |
7 | AMER HIST | 10003 | 1% | 4% | 1 |
8 | MEDIA COMMUN STUDIES | 8000 | 2% | 1% | 2 |
9 | THEATRE STUDIES | 6088 | 1% | 2% | 1 |
10 | FILM TELEVIS STUDIES | 5601 | 1% | 2% | 1 |
Journals |
Rank | Term | Chi square | Shr. of publ. in class containing term |
Class's shr. of term's tot. occurrences |
#P with term in class |
---|---|---|---|---|---|
1 | BALLETT INTERNATIONAL-TANZ AKTUELL | 280141 | 2% | 50% | 2 |
2 | TDR-THE DRAMA REVIEW-THE JOURNAL OF PERFORMANCE STUDIES | 154209 | 13% | 4% | 14 |
3 | TDR-THE DRAMA REVIEW-A JOURNAL OF PERFORMANCE STUDIES | 15943 | 4% | 1% | 4 |
4 | CONTEMPORARY THEATRE REVIEW | 15186 | 4% | 1% | 4 |
5 | PERFORMANCE RESEARCH | 14430 | 5% | 1% | 5 |
6 | JOURNAL OF POPULAR CULTURE | 14293 | 7% | 1% | 8 |
7 | ANTHROPOLOGY & MEDICINE | 9656 | 2% | 2% | 2 |
8 | JOURNAL OF AMERICAN CULTURE | 9631 | 4% | 1% | 4 |
9 | POPULAR MUSIC AND SOCIETY | 8112 | 4% | 1% | 4 |
10 | THEATRE RESEARCH INTERNATIONAL | 7543 | 3% | 1% | 3 |
Author Key Words |
Rank | Term | Chi square | Shr. of publ. in class containing term |
Class's shr. of term's tot. occurrences |
#P with term in class |
LCSH search | Wikipedia search |
---|---|---|---|---|---|---|---|
1 | THE ERASED | 840430 | 3% | 100% | 3 | Search THE+ERASED | Search THE+ERASED |
2 | ANNA NICOLE SMITH | 280143 | 1% | 100% | 1 | Search ANNA+NICOLE+SMITH | Search ANNA+NICOLE+SMITH |
3 | BODY AND CULTURAL CAPITAL | 280143 | 1% | 100% | 1 | Search BODY+AND+CULTURAL+CAPITAL | Search BODY+AND+CULTURAL+CAPITAL |
4 | CHRISTOPH SCHLINGENSIEF | 280143 | 1% | 100% | 1 | Search CHRISTOPH+SCHLINGENSIEF | Search CHRISTOPH+SCHLINGENSIEF |
5 | DANCE AUDIENCE | 280143 | 1% | 100% | 1 | Search DANCE+AUDIENCE | Search DANCE+AUDIENCE |
6 | DIGITAL NETWORKED TECHNOLOGIES | 280143 | 1% | 100% | 1 | Search DIGITAL+NETWORKED+TECHNOLOGIES | Search DIGITAL+NETWORKED+TECHNOLOGIES |
7 | EASTERN EUROPEAN THEATRE | 280143 | 1% | 100% | 1 | Search EASTERN+EUROPEAN+THEATRE | Search EASTERN+EUROPEAN+THEATRE |
8 | EMANCIPATED MODES OF SPECTATORSHIP | 280143 | 1% | 100% | 1 | Search EMANCIPATED+MODES+OF+SPECTATORSHIP | Search EMANCIPATED+MODES+OF+SPECTATORSHIP |
9 | EU PROTECTION LEGISLATION | 280143 | 1% | 100% | 1 | Search EU+PROTECTION+LEGISLATION | Search EU+PROTECTION+LEGISLATION |
10 | EU PROTECTION MECHANISM | 280143 | 1% | 100% | 1 | Search EU+PROTECTION+MECHANISM | Search EU+PROTECTION+MECHANISM |
Core articles |
The table includes core articles in the class. The following variables is taken into account for the relevance score of an article in a cluster c: (1) Number of references referring to publications in the class. (2) Share of total number of active references referring to publications in the class. (3) Age of the article. New articles get higher score than old articles. (4) Citation rate, normalized to year. |
Rank | Reference | # ref. in cl. |
Shr. of ref. in cl. |
Citations |
---|---|---|---|---|
1 | ROSENTHAL, C , (2016) CIRCLING UP WITH THE ASSEMBLY: A THEATRE COLLECTIVE COMES OF AGE.TDR-THE DRAMA REVIEW-THE JOURNAL OF PERFORMANCE STUDIES. VOL. 60. ISSUE 3. P. 64 -95 | 4 | 100% | 0 |
2 | BAJT, V , SALAMON, NK , (2014) STATELESSNESS IN SLOVENIA.DVE DOMOVINI-TWO HOMELANDS. VOL. . ISSUE 39. P. 7 -18 | 4 | 100% | 0 |
3 | SMITH, R , (2010) BABYSITTER KILLERS AND DAUGHTERS OF DEATH WOMEN, TRUE CRIME AND THE MEDIA IN 1970S AUSTRALIA.AUSTRALIAN FEMINIST STUDIES. VOL. 25. ISSUE 65. P. 325-336 | 4 | 100% | 0 |
4 | COOPER, BL , (2005) TRIBUTE DISCS, CAREER DEVELOPMENT, AND DEATH: PERFECTING THE CELEBRITY PRODUCT FROM ELVIS PRESLEY TO STEVIE RAY VAUGHAN.POPULAR MUSIC AND SOCIETY. VOL. 28. ISSUE 2. P. 229-248 | 4 | 100% | 0 |
5 | BOENISCH, PM , (2003) ELECTRONIC BODIES - CORPO-REALITIES IN CONTEMPORARY DANCE PERFORMANCE.PERFORMANCE RESEARCH. VOL. 8. ISSUE 4. P. 33-41 | 4 | 100% | 1 |
6 | ATTISANI, A , (2008) ACTA GNOSIS (JERZY GROTOWSKI).TDR-THE DRAMA REVIEW-THE JOURNAL OF PERFORMANCE STUDIES. VOL. 52. ISSUE 2. P. 75 -+ | 3 | 100% | 1 |
7 | SCOFIELD, R , (2016) "NIPPED, TUCKED, OR SUCKED": DOLLY PARTON AND THE CONSTRUCTION OF THE AUTHENTIC BODY.JOURNAL OF POPULAR CULTURE. VOL. 49. ISSUE 3. P. 660 -677 | 3 | 75% | 0 |
8 | NASCIMENTO, CT , (2010) OF TENT SHOWS AND LITURGIES ONE BREATH LEFT: DIES IRAE.TDR-THE DRAMA REVIEW-A JOURNAL OF PERFORMANCE STUDIES. VOL. 54. ISSUE 3. P. 136-149 | 3 | 75% | 1 |
9 | DUFFETT, M , (2000) TRANSCENDING AUDIENCE GENERALIZATIONS: CONSUMERISM RECONSIDERED IN THE CASE OF ELVIS PRESLEY FANS.POPULAR MUSIC AND SOCIETY. VOL. 24. ISSUE 2. P. 75-91 | 3 | 100% | 2 |
10 | ZAIONTZ, K , (2015) HUMAN RIGHTS (AND THEIR APPEARANCES) IN PERFORMING ARTS FESTIVALS.CANADIAN THEATRE REVIEW. VOL. 161. ISSUE . P. 48 -54 | 2 | 100% | 0 |
Classes with closest relation at Level 1 |