Class information for: |
Basic class information |
| Class id | #P | Avg. number of references |
Database coverage of references |
|---|---|---|---|
| 27982 | 216 | 36.4 | 8% |
Hierarchy of classes |
The table includes all classes above and classes immediately below the current class. |
| Cluster id | Level | Cluster label | #P |
|---|---|---|---|
| 1 | 4 | ECONOMICS//EDUCATION & EDUCATIONAL RESEARCH//PSYCHOL | 3876184 |
| 248 | 3 | LITERATURE//LITERATURE, AMERICAN//LITERATURE, AFRICAN, AUSTRALIAN, CANADIAN | 46730 |
| 2662 | 2 | FILM, RADIO, TELEVISION//CINEMA JOURNAL//SCREEN | 3441 |
| 27982 | 1 | 21 GRAMS//8 FOIS DEBOUT//AMERICAN FILM INDUSTRY | 216 |
Terms with highest relevance score |
| rank | Term | termType | Chi square | Shr. of publ. in class containing term |
Class's shr. of term's tot. occurrences |
#P with term in class |
|---|---|---|---|---|---|---|
| 1 | 21 GRAMS | authKW | 141368 | 0% | 100% | 1 |
| 2 | 8 FOIS DEBOUT | authKW | 141368 | 0% | 100% | 1 |
| 3 | AMERICAN FILM INDUSTRY | authKW | 141368 | 0% | 100% | 1 |
| 4 | ANIMATED BODY | authKW | 141368 | 0% | 100% | 1 |
| 5 | ARTISTS ANIMATION | authKW | 141368 | 0% | 100% | 1 |
| 6 | AUDIENCE POSITIONING | authKW | 141368 | 0% | 100% | 1 |
| 7 | BLUEBEARD FOLK TALE | authKW | 141368 | 0% | 100% | 1 |
| 8 | BOON | authKW | 141368 | 0% | 100% | 1 |
| 9 | BROMANCE | authKW | 141368 | 0% | 100% | 1 |
| 10 | COMIC ARQUETYPES | authKW | 141368 | 0% | 100% | 1 |
Web of Science journal categories |
| Rank | Term | Chi square | Shr. of publ. in class containing term |
Class's shr. of term's tot. occurrences |
#P with term in class |
|---|---|---|---|---|---|
| 1 | Film, Radio, Television | 93672 | 32% | 1% | 70 |
| 2 | Law | 3150 | 23% | 0% | 49 |
| 3 | Literature | 2511 | 15% | 0% | 32 |
| 4 | Communication | 1402 | 10% | 0% | 22 |
| 5 | Cultural Studies | 981 | 5% | 0% | 10 |
| 6 | Literary Theory & Criticism | 605 | 3% | 0% | 6 |
| 7 | Humanities, Multidisciplinary | 399 | 5% | 0% | 11 |
| 8 | Theater | 156 | 1% | 0% | 3 |
| 9 | Sociology | 141 | 5% | 0% | 11 |
| 10 | Women’s Studies | 119 | 2% | 0% | 5 |
Address terms |
| Rank | Term | Chi square | Shr. of publ. in class containing term |
Class's shr. of term's tot. occurrences |
#P with term in class |
|---|---|---|---|---|---|
| 1 | JOURNALISM LAW | 141368 | 0% | 100% | 1 |
| 2 | MOVING IMAGE ARCH STUDIES PROGRAM | 141368 | 0% | 100% | 1 |
| 3 | RUSSIAN CENT ASIAN STUDIES | 141368 | 0% | 100% | 1 |
| 4 | NEWHOUSE | 47121 | 0% | 33% | 1 |
| 5 | WOMENS GENDER SKOK | 28272 | 0% | 20% | 1 |
| 6 | PROGRAM FILM STUDIES | 23560 | 0% | 17% | 1 |
| 7 | DPTO FILOL INGLESA ALEMANA | 20194 | 0% | 14% | 1 |
| 8 | CREAT ARTS FILM MEDIA | 17669 | 0% | 13% | 1 |
| 9 | CINEMA STUDIES PROGRAM | 15706 | 0% | 11% | 1 |
| 10 | FILM STUDIES | 13529 | 1% | 3% | 3 |
Journals |
| Rank | Term | Chi square | Shr. of publ. in class containing term |
Class's shr. of term's tot. occurrences |
#P with term in class |
|---|---|---|---|---|---|
| 1 | SCREEN | 36721 | 6% | 2% | 14 |
| 2 | WIDE ANGLE-A QUARTERLY JOURNAL OF FILM HISTORY THEORY CRITICISM & PRACTICE | 33942 | 3% | 3% | 7 |
| 3 | STUDIES IN FRENCH CINEMA | 30977 | 2% | 5% | 4 |
| 4 | CINEMA JOURNAL | 28205 | 5% | 2% | 11 |
| 5 | MOVING IMAGE | 22615 | 1% | 8% | 2 |
| 6 | FILM READER | 20194 | 0% | 14% | 1 |
| 7 | QUARTERLY REVIEW OF FILM AND VIDEO | 18685 | 2% | 3% | 4 |
| 8 | JUDICATURE | 16730 | 5% | 1% | 10 |
| 9 | JOURNAL OF THE UNIVERSITY FILM AND VIDEO ASSOCIATION | 11779 | 0% | 8% | 1 |
| 10 | TELEVISION QUARTERLY | 8832 | 1% | 3% | 2 |
Author Key Words |
| Rank | Term | Chi square | Shr. of publ. in class containing term |
Class's shr. of term's tot. occurrences |
#P with term in class |
LCSH search | Wikipedia search |
|---|---|---|---|---|---|---|---|
| 1 | 21 GRAMS | 141368 | 0% | 100% | 1 | Search 21+GRAMS | Search 21+GRAMS |
| 2 | 8 FOIS DEBOUT | 141368 | 0% | 100% | 1 | Search 8+FOIS+DEBOUT | Search 8+FOIS+DEBOUT |
| 3 | AMERICAN FILM INDUSTRY | 141368 | 0% | 100% | 1 | Search AMERICAN+FILM+INDUSTRY | Search AMERICAN+FILM+INDUSTRY |
| 4 | ANIMATED BODY | 141368 | 0% | 100% | 1 | Search ANIMATED+BODY | Search ANIMATED+BODY |
| 5 | ARTISTS ANIMATION | 141368 | 0% | 100% | 1 | Search ARTISTS+ANIMATION | Search ARTISTS+ANIMATION |
| 6 | AUDIENCE POSITIONING | 141368 | 0% | 100% | 1 | Search AUDIENCE+POSITIONING | Search AUDIENCE+POSITIONING |
| 7 | BLUEBEARD FOLK TALE | 141368 | 0% | 100% | 1 | Search BLUEBEARD+FOLK+TALE | Search BLUEBEARD+FOLK+TALE |
| 8 | BOON | 141368 | 0% | 100% | 1 | Search BOON | Search BOON |
| 9 | BROMANCE | 141368 | 0% | 100% | 1 | Search BROMANCE | Search BROMANCE |
| 10 | COMIC ARQUETYPES | 141368 | 0% | 100% | 1 | Search COMIC+ARQUETYPES | Search COMIC+ARQUETYPES |
Core articles |
The table includes core articles in the class. The following variables is taken into account for the relevance score of an article in a cluster c: (1) Number of references referring to publications in the class. (2) Share of total number of active references referring to publications in the class. (3) Age of the article. New articles get higher score than old articles. (4) Citation rate, normalized to year. |
| Rank | Reference | # ref. in cl. |
Shr. of ref. in cl. |
Citations |
|---|---|---|---|---|
| 1 | MCDOUGALL, A , (2016) 'DAS SPIEL IST AUS!': FOOTBALL AND HISTORY IN RAINER WERNER FASSBINDER'S BRD TRILOGY.GERMAN HISTORY. VOL. 34. ISSUE 4. P. 608 -629 | 5 | 100% | 0 |
| 2 | HARROD, M , (2013) SWEET NOTHINGS? IMAGINING THE INEXPRESSIBLE IN CONTEMPORARY FRENCH ROMANTIC COMEDY.STUDIES IN FRENCH CINEMA. VOL. 13. ISSUE 2. P. 171-187 | 4 | 100% | 1 |
| 3 | HORTHNEUBERT, SR , (1997) IN THE HOT BOX AND ON THE TUBE: WITNESSES' INTERESTS IN TELEVISED TRIALS.FORDHAM LAW REVIEW. VOL. 66. ISSUE 1. P. 165-207 | 10 | 63% | 0 |
| 4 | HERSEY, E , (2007) LOVE AND MICROPHONES - ROMANTIC COMEDY HEROINES AS PUBLIC SPEAKERS.JOURNAL OF POPULAR FILM AND TELEVISION. VOL. 34. ISSUE 4. P. 148-158 | 4 | 100% | 0 |
| 5 | DAVIS, DW , (2014) MARKETIZATION, HOLLYWOOD, GLOBAL CHINA.MODERN CHINESE LITERATURE AND CULTURE. VOL. 26. ISSUE 1. P. 191 -241 | 4 | 80% | 0 |
| 6 | BERGFELDER, T , (2004) POPULAR GENRES AND CULTURAL LEGITIMACY: FASSBINDER'S 'LOLA' AND THE LEGACY OF 1950S WEST GERMAN CINEMA.SCREEN. VOL. 45. ISSUE 1. P. 21-39 | 4 | 100% | 1 |
| 7 | BAXTER, P , (2014) FIRST SIGHT: HOW LOVE STORIES BEGIN (AND HOW SOME OF THEM END) IN TODAY'S FRENCH CINEMA.STUDIES IN FRENCH CINEMA. VOL. 14. ISSUE 2. P. 132 -155 | 3 | 100% | 0 |
| 8 | BAINBRIDGE, J , (2009) THE BODIES OF LAW: PERFORMING TRUTH AND THE MYTHOLOGY OF LAWYERING IN AMERICAN LAW SHOWS.EUROPEAN JOURNAL OF CULTURAL STUDIES. VOL. 12. ISSUE 4. P. 395 -413 | 4 | 80% | 0 |
| 9 | MONTOLIU, MDA , (2009) A TIME TO LOVE AND A TIME TO DIE: DESIRE AND NARRATIVE STRUCTURE IN 21 GRAMS.ATLANTIS-JOURNAL OF THE SPANISH ASSOCIATION OF ANGLO-AMERICAN STUDIES. VOL. 31. ISSUE 2. P. 111 -123 | 3 | 100% | 1 |
| 10 | ECHART, P , (2009) THE LAST AMERICAN ROMANTIC COMEDY (20002007): PANORAMA OF A SELF-ABSORBED GENRE.COMUNICACION Y SOCIEDAD. VOL. 22. ISSUE 1. P. 161 -195 | 3 | 100% | 0 |
Classes with closest relation at Level 1 |