Class information for: |
Basic class information |
Class id | #P | Avg. number of references |
Database coverage of references |
---|---|---|---|
23196 | 355 | 27.0 | 14% |
Hierarchy of classes |
The table includes all classes above and classes immediately below the current class. |
Cluster id | Level | Cluster label | #P |
---|---|---|---|
1 | 4 | ECONOMICS//EDUCATION & EDUCATIONAL RESEARCH//PSYCHOL | 3876184 |
424 | 3 | MUSIC//MUS//JOURNAL OF RESEARCH IN MUSIC EDUCATION | 28183 |
2488 | 2 | COMPUTER MUSIC JOURNAL//ORGANISED SOUND//MUSIC | 3928 |
23196 | 1 | ORGANISED SOUND//LEONARDO MUSIC JOURNAL//CONTEMPORARY MUSIC REVIEW | 355 |
Terms with highest relevance score |
rank | Term | termType | Chi square | Shr. of publ. in class containing term |
Class's shr. of term's tot. occurrences |
#P with term in class |
---|---|---|---|---|---|---|
1 | ORGANISED SOUND | journal | 2435703 | 23% | 35% | 80 |
2 | LEONARDO MUSIC JOURNAL | journal | 563406 | 10% | 19% | 35 |
3 | CONTEMPORARY MUSIC REVIEW | journal | 507065 | 9% | 19% | 31 |
4 | NETWORK MUSIC PERFORMANCE | authKW | 344058 | 1% | 100% | 4 |
5 | GRAPHIC SCORES | authKW | 258043 | 1% | 100% | 3 |
6 | COMPUTER MUSIC JOURNAL | journal | 256899 | 12% | 7% | 44 |
7 | MUS TECHNOL INNOVAT | address | 238924 | 1% | 56% | 5 |
8 | MUSIC | WoSSC | 234188 | 67% | 1% | 237 |
9 | NEW ZEALAND MUS | address | 215031 | 1% | 50% | 5 |
10 | GOLDFARB FINE ARTS | address | 172029 | 1% | 100% | 2 |
Web of Science journal categories |
Rank | Term | Chi square | Shr. of publ. in class containing term |
Class's shr. of term's tot. occurrences |
#P with term in class |
---|---|---|---|---|---|
1 | Music | 234188 | 67% | 1% | 237 |
2 | Art | 2841 | 8% | 0% | 28 |
3 | Dance | 1736 | 1% | 1% | 4 |
4 | Computer Science, Interdisciplinary Applications | 1379 | 17% | 0% | 61 |
5 | Cultural Studies | 142 | 1% | 0% | 5 |
6 | Communication | 130 | 3% | 0% | 9 |
7 | Architecture | 97 | 1% | 0% | 3 |
8 | Computer Science, Cybernetics | 44 | 1% | 0% | 4 |
9 | Literature | 44 | 2% | 0% | 6 |
10 | Humanities, Multidisciplinary | 43 | 1% | 0% | 5 |
Address terms |
Rank | Term | Chi square | Shr. of publ. in class containing term |
Class's shr. of term's tot. occurrences |
#P with term in class |
---|---|---|---|---|---|
1 | MUS TECHNOL INNOVAT | 238924 | 1% | 56% | 5 |
2 | NEW ZEALAND MUS | 215031 | 1% | 50% | 5 |
3 | GOLDFARB FINE ARTS | 172029 | 1% | 100% | 2 |
4 | MTIID PROGRAM | 172029 | 1% | 100% | 2 |
5 | WOOLWORTH | 172029 | 1% | 100% | 2 |
6 | GEORGIA TECH MUS TECHNOL | 114685 | 1% | 67% | 2 |
7 | STALLER ARTS 2224 | 114685 | 1% | 67% | 2 |
8 | AMAZON MUSIC N | 86014 | 0% | 100% | 1 |
9 | ARCHITECTURAL ASSOC ARCHITECTURE | 86014 | 0% | 100% | 1 |
10 | ART THEORY PRACTICE | 86014 | 0% | 100% | 1 |
Journals |
Rank | Term | Chi square | Shr. of publ. in class containing term |
Class's shr. of term's tot. occurrences |
#P with term in class |
---|---|---|---|---|---|
1 | ORGANISED SOUND | 2435703 | 23% | 35% | 80 |
2 | LEONARDO MUSIC JOURNAL | 563406 | 10% | 19% | 35 |
3 | CONTEMPORARY MUSIC REVIEW | 507065 | 9% | 19% | 31 |
4 | COMPUTER MUSIC JOURNAL | 256899 | 12% | 7% | 44 |
5 | JOURNAL OF NEW MUSIC RESEARCH | 22745 | 3% | 2% | 12 |
6 | DIGITAL CREATIVITY | 21657 | 2% | 3% | 8 |
7 | PERSPECTIVES OF NEW MUSIC | 17845 | 2% | 3% | 7 |
8 | LEONARDO | 13041 | 4% | 1% | 14 |
9 | TWENTIETH-CENTURY MUSIC | 9553 | 1% | 6% | 2 |
10 | MUSICA HODIE | 4982 | 1% | 3% | 2 |
Author Key Words |
Rank | Term | Chi square | Shr. of publ. in class containing term |
Class's shr. of term's tot. occurrences |
#P with term in class |
LCSH search | Wikipedia search |
---|---|---|---|---|---|---|---|
1 | NETWORK MUSIC PERFORMANCE | 344058 | 1% | 100% | 4 | Search NETWORK+MUSIC+PERFORMANCE | Search NETWORK+MUSIC+PERFORMANCE |
2 | GRAPHIC SCORES | 258043 | 1% | 100% | 3 | Search GRAPHIC+SCORES | Search GRAPHIC+SCORES |
3 | AUDIO ART | 86014 | 0% | 100% | 1 | Search AUDIO+ART | Search AUDIO+ART |
4 | AUDIO OVER INTERNET | 86014 | 0% | 100% | 1 | Search AUDIO+OVER+INTERNET | Search AUDIO+OVER+INTERNET |
5 | AUDIO PREAMPLIFIERS | 86014 | 0% | 100% | 1 | Search AUDIO+PREAMPLIFIERS | Search AUDIO+PREAMPLIFIERS |
6 | AUDITORY SEMANTICS | 86014 | 0% | 100% | 1 | Search AUDITORY+SEMANTICS | Search AUDITORY+SEMANTICS |
7 | COLOUR ORGAN | 86014 | 0% | 100% | 1 | Search COLOUR+ORGAN | Search COLOUR+ORGAN |
8 | COMBINED MITIGATION AND ADAPTATION | 86014 | 0% | 100% | 1 | Search COMBINED+MITIGATION+AND+ADAPTATION | Search COMBINED+MITIGATION+AND+ADAPTATION |
9 | COMPUTER MEDIATED PERFORMANCE | 86014 | 0% | 100% | 1 | Search COMPUTER+MEDIATED+PERFORMANCE | Search COMPUTER+MEDIATED+PERFORMANCE |
10 | COMPUTERIZED PROMPTING TECHNOLOGY | 86014 | 0% | 100% | 1 | Search COMPUTERIZED+PROMPTING+TECHNOLOGY | Search COMPUTERIZED+PROMPTING+TECHNOLOGY |
Core articles |
The table includes core articles in the class. The following variables is taken into account for the relevance score of an article in a cluster c: (1) Number of references referring to publications in the class. (2) Share of total number of active references referring to publications in the class. (3) Age of the article. New articles get higher score than old articles. (4) Citation rate, normalized to year. |
Rank | Reference | # ref. in cl. |
Shr. of ref. in cl. |
Citations |
---|---|---|---|---|
1 | WANG, G , SALAZAR, S , OH, JU , HAMILTON, R , (2015) WORLD STAGE: CROWDSOURCING PARADIGM FOR EXPRESSIVE SOCIAL MOBILE MUSIC.JOURNAL OF NEW MUSIC RESEARCH. VOL. 44. ISSUE 2. P. 112 -128 | 10 | 91% | 0 |
2 | ZAREEI, MH , MCKINNON, D , CARNEGIE, DA , KAPUR, A , (2016) SOUND-BASED BRUTALISM: AN EMERGENT AESTHETIC.ORGANISED SOUND. VOL. 21. ISSUE 1. P. 51 -60 | 7 | 100% | 0 |
3 | HAJDU, G , (2016) DISPOSABLE MUSIC.COMPUTER MUSIC JOURNAL. VOL. 40. ISSUE 1. P. 25 -34 | 7 | 100% | 0 |
4 | OTONDO, F , (2015) WIRELESS BODY-WORN SOUND SYSTEM FOR DANCE AND MUSIC PERFORMANCE.ORGANISED SOUND. VOL. 20. ISSUE 3. P. 340 -348 | 7 | 100% | 0 |
5 | WHALLEY, I , (2012) INTERNET2 AND GLOBAL ELECTROACOUSTIC MUSIC: NAVIGATING A DECISION SPACE OF PRODUCTION, RELATIONSHIPS AND LANGUAGES.ORGANISED SOUND. VOL. 17. ISSUE 1. P. 4 -15 | 8 | 80% | 0 |
6 | VICKERY, L , (2012) THE EVOLUTION OF NOTATIONAL INNOVATIONS FROM THE MOBILE SCORE TO THE SCREEN SCORE.ORGANISED SOUND. VOL. 17. ISSUE 2. P. 128-136 | 7 | 88% | 3 |
7 | VAN NORT, D , (2016) DISTRIBUTED LISTENING IN ELECTROACOUSTIC IMPROVISATION.LEONARDO MUSIC JOURNAL. VOL. 26. ISSUE . P. 35 -38 | 6 | 86% | 0 |
8 | WANKE, R , (2015) A CROSS-GENRE STUDY OF THE (EC)STATIC PERSPECTIVE OF TODAY'S MUSIC.ORGANISED SOUND. VOL. 20. ISSUE 3. P. 331 -339 | 5 | 100% | 0 |
9 | BATTIER, M , (2015) DESCRIBE, TRANSCRIBE, NOTATE: PROSPECTS AND PROBLEMS FACING ELECTROACOUSTIC MUSIC.ORGANISED SOUND. VOL. 20. ISSUE 1. P. 60 -67 | 5 | 100% | 0 |
10 | FREEMAN, J , XIE, SD , TSUCHIYA, T , SHEN, WB , CHEN, YL , WEITZNER, N , (2015) USING MASSMOBILE, A FLEXIBLE, SCALABLE, RAPID PROTOTYPING AUDIENCE PARTICIPATION FRAMEWORK, IN LARGE-SCALE LIVE MUSICAL PERFORMANCES.DIGITAL CREATIVITY. VOL. 26. ISSUE 3-4. P. 228 -244 | 6 | 75% | 0 |
Classes with closest relation at Level 1 |