Class information for: |
Basic class information |
ID | Publications | Average number of references |
Avg. shr. active ref. in WoS |
---|---|---|---|
3306 | 1939 | 31.5 | 11% |
Classes in level above (level 2) |
ID, lev. above |
Publications | Label for level above |
---|---|---|
1346 | 7861 | MUSIC//EARLY MUSIC//MUSIC THEORY SPECTRUM |
Terms with highest relevance score |
Rank | Term | Type of term | Relevance score (tfidf) |
Class's shr. of term's tot. occurrences |
Shr. of publ. in class containing term |
Num. of publ. in class |
---|---|---|---|---|---|---|
1 | MUSIC THEORY SPECTRUM | Journal | 303 | 74% | 12% | 224 |
2 | JOURNAL OF MUSIC THEORY | Journal | 265 | 72% | 11% | 208 |
3 | MUSIC ANALYSIS | Journal | 244 | 67% | 11% | 222 |
4 | PERSPECTIVES OF NEW MUSIC | Journal | 57 | 42% | 5% | 104 |
5 | JOURNAL OF MATHEMATICS AND MUSIC | Journal | 39 | 56% | 2% | 48 |
6 | NINETEENTH CENTURY MUSIC | Journal | 38 | 30% | 6% | 109 |
7 | COLLEGE MUSIC SYMPOSIUM | Journal | 14 | 23% | 3% | 51 |
8 | JOURNAL OF MUSICOLOGY | Journal | 12 | 15% | 4% | 75 |
9 | SONATA THEORY | Author keyword | 12 | 86% | 0% | 6 |
10 | JOURNAL OF MUSICOLOGICAL RESEARCH | Journal | 11 | 21% | 2% | 47 |
Web of Science journal categories |
Author Key Words |
Rank | Web of Science journal category | Relevance score (tfidf) |
Class's shr. of term's tot. occurrences |
Shr. of publ. in class containing term |
Num. of publ. in class |
LCSH search | Wikipedia search |
---|---|---|---|---|---|---|---|
1 | SONATA THEORY | 12 | 86% | 0% | 6 | Search SONATA+THEORY | Search SONATA+THEORY |
2 | MAXIMAL EVENNESS | 9 | 83% | 0% | 5 | Search MAXIMAL+EVENNESS | Search MAXIMAL+EVENNESS |
3 | WELL FORMED SCALES | 9 | 83% | 0% | 5 | Search WELL+FORMED+SCALES | Search WELL+FORMED+SCALES |
4 | SCHENKERIAN ANALYSIS | 8 | 70% | 0% | 7 | Search SCHENKERIAN+ANALYSIS | Search SCHENKERIAN+ANALYSIS |
5 | TRANSFORMATIONAL THEORY | 8 | 70% | 0% | 7 | Search TRANSFORMATIONAL+THEORY | Search TRANSFORMATIONAL+THEORY |
6 | ARNOLD SCHOENBERG | 6 | 80% | 0% | 4 | Search ARNOLD+SCHOENBERG | Search ARNOLD+SCHOENBERG |
7 | SCHUBERT | 6 | 58% | 0% | 7 | Search SCHUBERT | Search SCHUBERT |
8 | MAXIMALLY EVEN | 6 | 100% | 0% | 4 | Search MAXIMALLY+EVEN | Search MAXIMALLY+EVEN |
9 | SONATA FORM | 5 | 60% | 0% | 6 | Search SONATA+FORM | Search SONATA+FORM |
10 | TONNETZ | 5 | 63% | 0% | 5 | Search TONNETZ | Search TONNETZ |
Key Words Plus |
Rank | Web of Science journal category | Relevance score (tfidf) |
Class's shr. of term's tot. occurrences |
Shr. of publ. in class containing term |
Num. of publ. in class |
---|---|---|---|---|---|
1 | MUSIC THEORY | 23 | 86% | 1% | 12 |
2 | POST TONAL MUSIC | 17 | 100% | 0% | 8 |
3 | KLUMPENHOUWER NETWORKS | 15 | 82% | 0% | 9 |
4 | IVES CHARLES | 11 | 78% | 0% | 7 |
5 | SONATA FORM | 11 | 78% | 0% | 7 |
6 | STRAVINSKY | 11 | 78% | 0% | 7 |
7 | HAYDN | 9 | 83% | 0% | 5 |
8 | BABBITT MILTON | 8 | 100% | 0% | 5 |
9 | LARSON | 8 | 100% | 0% | 5 |
10 | PITCH CLASS SETS | 8 | 62% | 0% | 8 |
Journals |
Rank | Web of Science journal category | Relevance score (tfidf) |
Class's shr. of term's tot. occurrences |
Shr. of publ. in class containing term |
Num. of publ. in class |
---|---|---|---|---|---|
1 | MUSIC THEORY SPECTRUM | 303 | 74% | 12% | 224 |
2 | JOURNAL OF MUSIC THEORY | 265 | 72% | 11% | 208 |
3 | MUSIC ANALYSIS | 244 | 67% | 11% | 222 |
4 | PERSPECTIVES OF NEW MUSIC | 57 | 42% | 5% | 104 |
5 | JOURNAL OF MATHEMATICS AND MUSIC | 39 | 56% | 2% | 48 |
6 | NINETEENTH CENTURY MUSIC | 38 | 30% | 6% | 109 |
7 | COLLEGE MUSIC SYMPOSIUM | 14 | 23% | 3% | 51 |
8 | JOURNAL OF MUSICOLOGY | 12 | 15% | 4% | 75 |
9 | JOURNAL OF MUSICOLOGICAL RESEARCH | 11 | 21% | 2% | 47 |
10 | MUSIKTHEORIE | 11 | 19% | 3% | 50 |
Reviews |
Title | Publ. year | Cit. | Active references |
% act. ref. to same field |
---|---|---|---|---|
Music After All | 2009 | 5 | 8 | 63% |
The Shape of Things to Come? Seeking the Manifold Attractions of Tonality | 2012 | 1 | 18 | 100% |
Normalizing the abnormal: Disability in music and music theory | 2006 | 13 | 18 | 67% |
The Composer's Voice? Compositional Style and Criteria of Value in Weill, Krenek and Stravinsky | 2009 | 1 | 7 | 100% |
SONATA PRINCIPLES | 2008 | 2 | 2 | 100% |
Deep-level portrayals of directed and misdirected motions in nineteenth-century lyric song | 2004 | 3 | 13 | 100% |
The politics of the Urlinie in Schenker's Der 'Tonwille' and Der 'freie Satz' (Heinrich Schenker) | 2007 | 1 | 4 | 100% |
The problem of Ives's revisions, 1973-1987 (Charles Ives) | 2007 | 1 | 8 | 75% |
NEW APPROACHES TO TONAL THEORY | 2012 | 0 | 13 | 92% |
BACK TO WHOM, NEOCLASSICISM AS IDEOLOGY | 1993 | 4 | 1 | 100% |
Address terms |
Rank | Address term | Relevance score (tfidf) |
Class's shr. of term's tot. occurrences |
Shr. of publ. in class containing term |
Num. of publ. in class |
---|---|---|---|---|---|
1 | MUS THEORY | 7 | 53% | 0.5% | 9 |
2 | THEORY COMPOSIT | 4 | 75% | 0.2% | 3 |
3 | EASTMAN MUS | 4 | 21% | 0.8% | 16 |
4 | LAMONT MUS | 2 | 67% | 0.1% | 2 |
5 | EQUIPE REP ENTAT MUS | 1 | 100% | 0.1% | 2 |
6 | ESCUELA UNIV INFORMAT A VALENCIA | 1 | 100% | 0.1% | 2 |
7 | TEORIA COMPOSICIO DIRECCIO | 1 | 100% | 0.1% | 2 |
8 | CONSERVATORY MUS | 1 | 23% | 0.3% | 5 |
9 | MUSIC STUDIES | 1 | 40% | 0.1% | 2 |
10 | MUS THEATRE DANCE | 1 | 19% | 0.2% | 4 |
Related classes at same level (level 1) |
Rank | Relatedness score | Related classes |
---|---|---|
1 | 0.0000221274 | JOURNAL OF THE ARNOLD SCHOENBERG INSTITUTE//HANSLICK//OSTERREICHISCHE MUSIK ZEITSCHRIFT |
2 | 0.0000136713 | A SURVIVOR FROM WARSAW//PIERROT LUNAIRE//HCAS |
3 | 0.0000108043 | NEW HUNGARIAN QUARTERLY//BRUNONIANISM//FELIX MENDELSSOHN |
4 | 0.0000107668 | LIGETI//TEACHING ENGLISH TO YOUNG LEARNERS TEYLS IN TURKEY//AFTERMATH PHOTOGRAPHY |
5 | 0.0000103924 | LUIGI NONO//PROMETEO//ANTON WEBERN |
6 | 0.0000089895 | BACH//NYAYAMANJARI//CHRISTIAN FRIEDRICH MICHAELIS |
7 | 0.0000089469 | BONDING AND BRIDGING//CORPS SONORE//POSTCOLONIAL NATIONALISM |
8 | 0.0000081540 | 1870 71//ARTHURIAN ROMANCES//BIZET |
9 | 0.0000078648 | EIGHTEENTH CENTURY OPERA//HOMERIC QUESTION//OSSIANISM |
10 | 0.0000078046 | DOGONS//MUSICAL NATIONALISM//MUSICAL PRESS |