Class information for: |
Basic class information |
ID | Publications | Average number of references |
Avg. shr. active ref. in WoS |
---|---|---|---|
10390 | 1002 | 24.2 | 19% |
Classes in level above (level 2) |
ID, lev. above |
Publications | Label for level above |
---|---|---|
1375 | 7705 | COMPUTER MUSIC JOURNAL//JOURNAL OF THE AUDIO ENGINEERING SOCIETY//JOURNAL OF NEW MUSIC RESEARCH |
Terms with highest relevance score |
Rank | Term | Type of term | Relevance score (tfidf) |
Class's shr. of term's tot. occurrences |
Shr. of publ. in class containing term |
Num. of publ. in class |
---|---|---|---|---|---|---|
1 | COMPUTER MUSIC JOURNAL | Journal | 173 | 45% | 29% | 287 |
2 | INTERFACE-JOURNAL OF NEW MUSIC RESEARCH | Journal | 68 | 63% | 7% | 68 |
3 | PERSPECTIVES OF NEW MUSIC | Journal | 8 | 17% | 4% | 42 |
4 | ALGORITHMIC COMPOSITION | Author keyword | 7 | 38% | 1% | 15 |
5 | COMPUTER AIDED COMPOSITION | Author keyword | 7 | 67% | 1% | 6 |
6 | JOURNAL OF NEW MUSIC RESEARCH | Journal | 6 | 11% | 5% | 54 |
7 | SOUND DIGITAL MUS TECHNOL GRP | Address | 6 | 100% | 0% | 4 |
8 | AUDIO OSCILLATORS | Author keyword | 5 | 60% | 1% | 6 |
9 | MACHINE LISTENING GRP | Address | 5 | 63% | 0% | 5 |
10 | LEONARDO MUSIC JOURNAL | Journal | 5 | 16% | 3% | 27 |
Web of Science journal categories |
Author Key Words |
Key Words Plus |
Rank | Web of Science journal category | Relevance score (tfidf) |
Class's shr. of term's tot. occurrences |
Shr. of publ. in class containing term |
Num. of publ. in class |
---|---|---|---|---|---|
1 | GROUP ADDITIVE SYNTHESIS | 17 | 100% | 1% | 8 |
2 | MUSICAL INSTRUMENT TONES | 17 | 100% | 1% | 8 |
3 | COMPLEX AUDIO SPECTRA | 8 | 75% | 1% | 6 |
4 | MACHINE TONGUES | 8 | 100% | 0% | 5 |
5 | ANALOG SYNTHESIS | 6 | 58% | 1% | 7 |
6 | ADDITIVE SYNTHESIS | 6 | 100% | 0% | 4 |
7 | MUSICAL INSTRUMENT SOUNDS | 4 | 67% | 0% | 4 |
8 | PRINTED MUSIC | 3 | 100% | 0% | 3 |
9 | ALGORITHMIC COMPOSITION | 2 | 67% | 0% | 2 |
10 | COMPUTATIONAL CREATIVITY | 2 | 67% | 0% | 2 |
Journals |
Rank | Web of Science journal category | Relevance score (tfidf) |
Class's shr. of term's tot. occurrences |
Shr. of publ. in class containing term |
Num. of publ. in class |
---|---|---|---|---|---|
1 | COMPUTER MUSIC JOURNAL | 173 | 45% | 29% | 287 |
2 | INTERFACE-JOURNAL OF NEW MUSIC RESEARCH | 68 | 63% | 7% | 68 |
3 | PERSPECTIVES OF NEW MUSIC | 8 | 17% | 4% | 42 |
4 | JOURNAL OF NEW MUSIC RESEARCH | 6 | 11% | 5% | 54 |
5 | LEONARDO MUSIC JOURNAL | 5 | 16% | 3% | 27 |
6 | ORGANISED SOUND | 3 | 12% | 2% | 24 |
7 | CONTEMPORARY MUSIC REVIEW | 2 | 13% | 2% | 17 |
Reviews |
Title | Publ. year | Cit. | Active references |
% act. ref. to same field |
---|---|---|---|---|
FERNEYHOUGH HERO: SCHOLARSHIP AS PROMOTION | 2015 | 0 | 5 | 80% |
Morphological metrics | 1996 | 16 | 16 | 25% |
The technology of musical experience in the 20th century | 2000 | 0 | 2 | 100% |
Musical notation in the age of information science | 2005 | 0 | 7 | 71% |
THE ACQUISITION, REPRESENTATION AND RECONSTRUCTION OF PRINTED MUSIC BY COMPUTER - A REVIEW | 1988 | 7 | 11 | 100% |
Computer Models of Musical Creativity: A Review of Computer Models of Musical Creativity by David Cope | 2008 | 1 | 7 | 43% |
Linguistic models and the analysis of musical structures | 2000 | 1 | 10 | 50% |
Structured audio: Creation, transmission, and rendering of parametric sound representations | 1998 | 35 | 10 | 10% |
CLASSIC PREOCCUPATIONS - INSTRUMENTS FOR THE OBLITERATION OF ANALYSIS | 1990 | 0 | 1 | 100% |
From musical grammars to music cognition in the 1980s and 1990s: Highlights of the history of computer-assisted music analysis | 2007 | 0 | 49 | 35% |
Address terms |
Rank | Address term | Relevance score (tfidf) |
Class's shr. of term's tot. occurrences |
Shr. of publ. in class containing term |
Num. of publ. in class |
---|---|---|---|---|---|
1 | SOUND DIGITAL MUS TECHNOL GRP | 6 | 100% | 0.4% | 4 |
2 | MACHINE LISTENING GRP | 5 | 63% | 0.5% | 5 |
3 | ICCMR | 4 | 46% | 0.6% | 6 |
4 | CERL SOUND GRP | 3 | 100% | 0.3% | 3 |
5 | DOCTORAL STUDIES MUS PERFORMANCE | 1 | 100% | 0.2% | 2 |
6 | SCRIME | 1 | 50% | 0.2% | 2 |
7 | TELECOM SIGNAL IMAGE | 1 | 100% | 0.2% | 2 |
8 | MUS TECHNOL | 1 | 25% | 0.4% | 4 |
9 | CCRMA | 1 | 15% | 0.5% | 5 |
10 | MUS REP ENTAT TEAM | 1 | 33% | 0.2% | 2 |
Related classes at same level (level 1) |
Rank | Relatedness score | Related classes |
---|---|---|
1 | 0.0000276306 | ORGANISED SOUND//COMPUTER MUSIC JOURNAL//LEONARDO MUSIC JOURNAL |
2 | 0.0000132467 | MUSIC INFORMATION RETRIEVAL//JOURNAL OF NEW MUSIC RESEARCH//MUSIC INFORMATION RETRIEVAL MIR |
3 | 0.0000129841 | NAT SCI SYST ANAL//COMPUTER NANOTECHNOLOGY//MSNET MODELING SIMULAT NETWORK SCS SITE |
4 | 0.0000080596 | RNASA//INTERACTIVE EVOLUTIONARY COMPUTATION//EVOLUTIONARY ART |
5 | 0.0000075823 | IMPACT SOUNDS//SONIC INTERACTION DESIGN//AUDIO VIRTUAL REALITY |
6 | 0.0000074542 | CCRMA//COMPUTAT ACOUST MODELING//DIGITAL WAVEGUIDE |
7 | 0.0000071602 | VOICE CONVERSION//SPEECH SYNTHESIS//HIDDEN MARKOV MODEL HMM BASED SPEECH SYNTHESIS |
8 | 0.0000062440 | MUSIC PERCEPTION//CONGENITAL AMUSIA//ABSOLUTE PITCH |
9 | 0.0000055487 | SENSORIMOTOR SYNCHRONIZATION//MUSIC PERCEPTION//RHYTHM PERCEPTION |
10 | 0.0000051118 | EPISTEMOLOGY OF MUSIC RESEARCH//EXTERNAL DATA ACCESSIBILITY//HIST CROATIAN MUS |